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The Help [Original Score]
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Album: The Help [Original Score]
# Song Title   Time
1)    Help: Aibilene, The
2)    Help: Them Fools, The
3)    Help: Upside-Down Cake, The
4)    Help: Mississippi, The
5)    Help: Heart Palpitations, The
6)    Help: The Help, The
7)    Help: Jim Crow, The
8)    Help: Skeeter, The
9)    Help: Miss Hilly, The
10)    Help: Write That Down, The
11)    Help: Bottom of the List, The
12)    Help: Deviled Eggs, The
13)    Help: First White Baby, The
14)    Help: Celia Digs, The
15)    Help: November 22, The
16)    Help: Not to Die, The
17)    Help: My Son, The
18)    Help: Trash on the Road, The
19)    Help: The Terrible Awful, The
20)    Help: Constantine, The
21)    Help: Gripping Testimonial s, The
22)    Help: Sugar, The
23)    Help: Amen, The
24)    Help: Mile High Meringue, The
25)    Help: Ain't You Tired, The (End Title)
 

Album: The Help [Original Score]
# Song Title   Time
1)    Help: Aibilene, The
2)    Help: Them Fools, The
3)    Help: Upside-Down Cake, The
4)    Help: Mississippi, The
5)    Help: Heart Palpitations, The
6)    Help: The Help, The
7)    Help: Jim Crow, The
8)    Help: Skeeter, The
9)    Help: Miss Hilly, The
10)    Help: Write That Down, The
11)    Help: Bottom of the List, The
12)    Help: Deviled Eggs, The
13)    Help: First White Baby, The
14)    Help: Celia Digs, The
15)    Help: November 22, The
16)    Help: Not to Die, The
17)    Help: My Son, The
18)    Help: Trash on the Road, The
19)    Help: The Terrible Awful, The
20)    Help: Constantine, The
21)    Help: Gripping Testimonial s, The
22)    Help: Sugar, The
23)    Help: Amen, The
24)    Help: Mile High Meringue, The
25)    Help: Ain't You Tired, The (End Title)
 
Product Description
Product Details
Performer Notes
  • Audio Mixer: Tommy Vicari.
  • Recording information: Fox Newman Scoring Stage; The Village.
  • Composer Thomas Newman has proven himself a true master at invoking an atmosphere of melancholic nostalgia on films like The Shawshank Redemption, Road to Perdition, and Little Women. His signature blend of long, stoic, and circular string melodies with soft, plaintive piano motifs fits perfectly into director Tate Taylor's film adaptation of author Kathryn Stockett's civil rights era dramedy, The Help. Like most of his work, Newman's sweet/sad and pastoral score stands up perfectly well on its own, brandishing its own distinct shade of Americana that manages to incorporate the whole melting pot, rather than just skim off the top. ~ James Christopher Monger
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