Quirky singer/songwriter Luke Temple's first release under the Here We Go Magic byline is just as indie-centric as his previous efforts. Though he mostly ditches the witty delivery and freak-lounge falsetto, there's no mistaking the bedroom recording quality and everything but the kitchen sink, stream of conscious composition. He's merely expanded his horizons, taking on a couple different and somewhat incongruous genres, from Afro-beat pop to freak folk to outright noise collages. The strongest thread holding the album together is the bargain basement production textures that virtually paint a picture of an in-home recording studio with a four-track in one corner and some vintage mikes in another. There's an obvious and immediate nod to the tribal folk pop of Paul Simon with the two opening numbers. "Only Pieces" seems like the lost campfire connection between Simon's African excursions and Animal Collective before they went Technicolor. "Fangela" goes even further into Simon land; it could easily be mistaken for a Shins demo or a Simon & Garfunkel song, if not for the cheap but charming keyboard sounds. It's hard to say if the song would sound better with fuller production or if it would lose too much of its bohemian heart. Either way, it's an engrossing start to the album. Temple definitely knows how to milk the most from his lo-fi setup, blending trance-inducting layers of chiming guitars with his falsetto on "Tunnelvision" into a mesmerizing Wall of Sound. Here, on "I Just Want to See You Underwater," and on the second half of the playful closer "Everything's Big," Temple's voice and the music's fuzzy, spooky pop attack recall his overseas peer Stephen Jones (aka Baby Bird, who began his career with a handful of similarly quirky, touching, lo-fi albums brimming with melody and mystery. A trio of exploratory noise instrumentals could turn off some listeners to the album as a whole, not because they're unaccomplished, but because they lack much sonic similarity to the rest of the songs. They could almost be seen as mini-intermissions, except that they're strangely sequenced close together as three of the last five songs. There's a lot to admire in Here We Go Magic's dreamy, hazy melodies, and it's easy to get lost in the repetitive, minimalist guitar strumming that centers half of the tracks. The somewhat pedestrian instrumentals hold back the album a bit from being the mini-masterpiece it could have been, but when Temple is firing on all cylinders he does indeed go magic. ~ Tim DiGravina
Spin (p.80) - "Brooklyn's Luke Temple possesses both an eerily high-pitched cry and a facility for his adopted grooves....Magic indeed."
Pitchfork (Website) - "[T]he album filters Temple's psychedelic muse through a much more muted palette: hazy electronic textures, endlessly-spiraling lyrical loops, occasional forays into extended sections of ambience and noise."
Fishpond works with suppliers all over the world to bring you a huge selection of products, really great prices, and delivery included on over 25 million products that we sell.
We do our best every day to make Fishpond an awesome place for customers to shop and get what they want — all at the best prices online.
You can earn a 5%
commission by selling Here We Go Magic
on your website. It's easy to get started - we will give you example code.
After you're set-up, your website can earn you money while you work, play or even sleep!
You should start right now!
Are you the Author or Publisher of a book? Or the manufacturer of one of the millions of products that we sell.
You can improve sales and grow your revenue by submitting additional information on this title.
The better the information we have about a product, the more we will sell!