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Hot House Flowers
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Album: Hot House Flowers
# Song Title   Time
1)    Stardust
2)    Lazy Afternoon
3)    For All We Know
4)    When You Wish Upon a Star
5)    Django
6)    Melancholia
7)    Hot House Flowers
8)    I'm Confessin' (That I Love You)
 

Album: Hot House Flowers
# Song Title   Time
1)    Stardust
2)    Lazy Afternoon
3)    For All We Know
4)    When You Wish Upon a Star
5)    Django
6)    Melancholia
7)    Hot House Flowers
8)    I'm Confessin' (That I Love You)
 
Product Description
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Performer Notes
  • Personnel includes: Wynton Marsalis (trumpet); Robert Freedman (conductor); Branford Marsalis (soprano & tenor saxophones); Kent Jordan (alto flute); Kenny Kirkland (piano); Ron Carter (acoustic bass); Jeff "Tain" Watts (drums).
  • Recorded at RCA Studio A, New York, New York on May 30 & 31, 1984. Includes liner notes by Stanley Crouch.
  • Personnel: Wynton Marsalis (trumpet); Harry Glickman, Winterton Garvey, Ingrid Arden, Guillermo Figueroa, Ray Kunicki, Louann Montesi, Peter Dimitriades, Patmore Lewis, Gayle Dixon, Regis Iandiorio, Charles Libove, Diane Monroe (violin); Theodore Israel, Mitsue Takayama, Harry Zaratzian, Al Brown (viola); Seymour Barab, Richard Locker, Alvin McCall, Frederick Zlotkin (cello); Kent Jordan (alto flute); Paul McCandless (oboe, English horn); Andrew Schwartz (bassoon); Branford Marsalis (soprano saxophone, tenor saxophone); Peter Gordon (French horn); Tony Price (tuba); Kenny Kirkland (piano); Ron Carter (acoustic bass); Jeff "Tain" Watts (drums).
  • Audio Mixer: Tom "Cheen" Geelan.
  • Audio Remasterer: Mark Wilder.
  • Liner Note Author: Stanley Crouch.
  • Recording information: RCA Recording Studios, Studio A, New York, NY (05/30/1984-05/31/1984); RCA Studio A, NY (05/30/1984-05/31/1984).
  • Photographer: Carol Friedman.
  • Arrangers: Robert Freedman; Bob Freedman.
  • This is one of Wynton Marsalis' first recordings--a program of standards played by his first quintet (featuring brother Branford), with the occasional participation of a string and horn section. The orchestrations augment the impeccable Marsalis quintet, but never "sweeten" or compete with it. "For All We Know" and "Melancholia" (the latter with Miles-ian mute playing) features some incredibly beautiful ballad playing from Marsalis, maybe the best he's ever done. It's a laid-back, late-night mood album of considerable and durable substance, as beautiful as any of the early 1960s Miles Davis and Gil Evans collaborations.
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