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Knight and Day
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Album: Knight and Day
# Song Title   Time
1)    Knight and Day: At the Airport
2)    Knight and Day: Rough Landing
3)    Knight and Day: Trouble on I-93
4)    Knight and Day: Running from Roy
5)    Knight and Day: Hostage
6)    Knight and Day: Car Ferry
7)    Knight and Day: To the Island of Love
8)    Knight and Day: In Austria
9)    Knight and Day: Galley Fight
10)    Knight and Day: Five Star
11)    Knight and Day: June Spies
12)    Knight and Day: He's a Spy
13)    Knight and Day: Rooftops
14)    Knight and Day: The Villa
15)    Knight and Day: Reunion
16)    Knight and Day: Bull Run
17)    Knight and Day: Going to Cape Horn? Take a Jacket
 
Album: Knight and Day
# Song Title   Time
1)    Knight and Day: At the Airport
2)    Knight and Day: Rough Landing
3)    Knight and Day: Trouble on I-93
4)    Knight and Day: Running from Roy
5)    Knight and Day: Hostage
6)    Knight and Day: Car Ferry
7)    Knight and Day: To the Island of Love
8)    Knight and Day: In Austria
9)    Knight and Day: Galley Fight
10)    Knight and Day: Five Star
11)    Knight and Day: June Spies
12)    Knight and Day: He's a Spy
13)    Knight and Day: Rooftops
14)    Knight and Day: The Villa
15)    Knight and Day: Reunion
16)    Knight and Day: Bull Run
17)    Knight and Day: Going to Cape Horn? Take a Jacket
 
Product Description
Product Details
Performer Notes
  • Composer: John Powell .
  • Personnel: Beth Caucci, James McKee Smith, Michael John Mollo, Paul Mounsey (programming).
  • Audio Mixer: Hugo Nicolson .
  • Recording information: 5 Cat Studios, Los Angeles, CA.
  • Editor: David Channing.
  • Arrangers: Beth Caucci; James McKee Smith; Michael John Mollo; Paul Mounsey.
  • Composer John Powell, no stranger to espionage and secret agents, has way more fun with director James Mangold's Knight and Day than he did on films like Green Zone, United 93, and the the Bourne trilogy. Opening with a James Bond-kissed accordion motif reminiscent of Astor Piazzolla's work on 1995's Twelve Monkeys, Powell hurtles through the rest of the score like a kid in an Aston Martin, deftly mixing humor and mischief with traditional Hollywood action cues, stopping only for the briefest of Elfman-esque reveries. Like the film itself, the Knight and Day soundtrack keeps its tongue firmly planted in its cheek. ~ James Christopher Monger
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