LOVE LUST FAITH + DREAMS

Rating

Album: LOVE LUST FAITH + DREAMS
#	Song Title		Time
1)	Birth	More Info...	0:02
2)	Conquistador	More Info...	0:03
3)	Up in the Air	More Info...	0:04
4)	City of Angels	More Info...	0:05
5)	The Race	More Info...	0:03
6)	End of All Days	More Info...	0:05
7)	Pyres of Varanasi	More Info...	0:03
8)	Bright Lights	More Info...	0:04
9)	Do Or Die	More Info...	0:04
10)	Convergence	More Info...	0:02
11)	Northern Lights	More Info...	0:04
12)	Depuis Le Debut	More Info...	0:02

Album: LOVE LUST FAITH + DREAMS
#	Song Title		Time
1)	Birth	More Info...	0:02
2)	Conquistador	More Info...	0:03
3)	Up in the Air	More Info...	0:04
4)	City of Angels	More Info...	0:05
5)	The Race	More Info...	0:03
6)	End of All Days	More Info...	0:05
7)	Pyres of Varanasi	More Info...	0:03
8)	Bright Lights	More Info...	0:04
9)	Do Or Die	More Info...	0:04
10)	Convergence	More Info...	0:02
11)	Northern Lights	More Info...	0:04
12)	Depuis Le Debut	More Info...	0:02

Performer Notes

Personnel: Summit, Deepak, Zhu Zhu (vocals).
Recording information: Boulevard Recording, Los Angeles, CA; Jodhpur, India; Sciences of Sound, Los Angeles, CA; The International Centre For The Advancement Of The Art.
Photographers: Jared Leto; Damien Hirst; Bartholomew Cubbins; David Devlin.
Elevated to the position of international stars -- if not quite globe-conquering superstars -- with their 2009 album This Is War, 30 Seconds to Mars do the smart thing for their 2013 sequel, Love Lust Faith + Dreams. They retain War co-producer Steve Lillywhite -- here co-producing with the band's lead singer/songwriter Jared Leto -- and give themselves a sleek, stylish makeover, accentuating the creeping escalation of electronics heard on This Is War and otherwise shedding whatever churning new millennial angst that lingered on the third record while retaining their emo angst and love of prog. Often, the pounding, splattering analog synthesizers bring to mind the otherworldly, trapped-in-amber futurism of the '70s -- the instrumental march "Pyres of Varanasi" expertly evokes the unsettling vistas of Wendy Carlos' soundtrack for A Clockwork Orange -- but this isn't a retro record, it's galvanized for the present, pushing its thick processed guitars, chanted choruses, and clanging keyboards to the forefront, flirting with taboos underneath its shining surface. 30 Seconds to Mars are no longer afraid to dabble with disco -- "Up in the Air" puts all four on the floor and there's an overall tendency to push big beats over hard attacks -- and this loosening of their stylistic confines results in their boldest, brightest, most imaginative record yet. ~ Stephen Thomas Erlewine

Professional Reviews

Entertainment Weekly (p.83) - "[T]hrobbing modern-rock anthems 'Up in the Air' and 'Bright Lights' offer visceral, hands-up hedonism." -- Grade: A-

Alternative Press - 3 stars out of 5 -- "'City Of Angels' is compelling from start to finish, building from ethereal beginnings to an enormous, drum-heavy climax..."

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