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Le Meteque [Holland]

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Home » Music » World Music » Europe » French

Le Meteque [Holland]

Artist: Moustaki Georges (Recorded By)

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Label: Double Pleasure
Album: Le Meteque [Holland]
# Song Title   Time
1)    Lazy Blues - (live)
2)    Facteur, Le - (live)
3)    Carte du Tendre, La - (live)
4)    Jour Tu Es Parti, Un - (live)
5)    Sanfoneiro - (live)
6)    Tango du Demain, Le - (live)
7)    Nous Voulions - (live)
8)    Temps de Vivre, Le - (live)
9)    Et Pourtant dans le Monde - (live)
10)    Ma Libert‚ - (live)
11)    Ligne Droite, La - (live)
12)    Est Trop Tard, Il - (live)
13)    Joseph - (live)
14)    Sarah - (live)
15)    Ma Solitude - (live)
16)    Madame/Votre Fille a Vingt Ans - (live)
17)    M‚tŠque, Le - (live)
18)    P‚cheur - (live)
19)    Il y Avait un Jardin - (live)
20)    Sacco E Vanzetti/La Marche de Sacco et Vanzetti - (live)
1)    Jou Jou
2)    Nous Voulions
3)    Mon Corps
4)    Haiti Cherie
5)    Jour Tu Es Parti, Un
6)    Cousine, Une
7)    Venez Danser
8)    Espagne au Coeur, L'
9)    Idee Folle
10)    Amour a La Musique, L'
 



Performer Notes
  • This compilation serves as a good showcase for the work of singer/songwriter Georges Moustaki. Though Moustaki spent a decade composing for such French notables as Edith Piaf, Yves Montand, and Barbara, his solo career didn't take off until the huge success of "Le M‚tŠque" in 1969. Like his mentor Georges Brassens, Moustaki performs mostly to the accompaniment of an acoustic guitar, occasionally adding simple string arrangements. He is very much a touring artist who has a great rapport with the audience and who finds his inspiration in different cultures from around the world. This collection features some of his greatest hits, including "Le M‚tŠque," "Ma Libert‚," "Ma Solitude," and "Joseph." Moustaki's Brazilian influences are evident in the compositions "Danse" and "Eaux de Mars"; the latter is a reworking of "Aguas de Mar‡o" by Antonio Carlos Jobim. ~ Yuri German

Format:CD (0 Disc); Stereo
Country:USA
Studio/Live: Studio
Release Date:5 October, 2004
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