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Let's Get It On [Remastered w/ Bonus Tracks]

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Let's Get It On [Remastered w/ Bonus Tracks]

Artist: Marvin Gaye (Recorded By)

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Label: Motown
Album: Let's Get It On [Remastered w/ Bonus Tracks]
# Song Title   Time
1)    Let's Get It On Album Version More Info... 4:53
2)    Please Stay (Once You Go Away) Album Version More Info... 3:30
3)    If I Should Die Tonight Album Version More Info... 4:00
4)    Keep Gettin' It On Album Version More Info... 3:11
5)    Come Get To This Album Version More Info... 2:46
6)    Distant Lover Album Version More Info... 4:16
7)    You Sure Love To Ball Album Version More Info... 4:44
8)    Just To Keep You Satisfied Album Version More Info... 4:25
9)    Let's Get It On Single Version More Info... 4:08
10)    You Sure Love To Ball Single Edit More Info... 3:37

The slinkiest, sexiest, most seductive Marvin Gaye album climaxed at #2 and features the hits Come Get to This You Sure Love to Ball , and the title smash. Bonus tracks: the single edits of those last two hits!
  • Genre: Soul/R&B
  • Marvin Gaye - Let's Get It on [CD]

Performer Notes
  • This 2-CD deluxe edition of LET'S GET IT ON features various session recordings leading up to or associated with the landmark 1973 release, which is also included in its original form.
  • Personnel includes: Marvin Gaye (vocals, piano); Melvin "Wah Wah" Ragin, Don Peake, Arthur Wright, Louis Shelton, David T. Walker, Robert White, Eddie Willis (guitar); Plas Johnson, Bill Green, Ernie Fields, Buddy Collete, Ernie Watts (saxophone, flutes); Chuck Findley (trumpet); George Bohannon (trombone); Joe Sample, Marvin Jenkins, Herbie Hancock (piano); Earl Van Dyke, Johnny Griffith (keyboards); Emil Richards, Victor Feldman (vibraphone); Wilton Felder, James Jamerson (bass); Paul Humphrey, Uriel Jones (drums); Eddie "Bongo" Brown, Bobbye Hall Porter (congas, bongos);
  • The Miracles; The Originals; The Monitors.
  • Producers include: Marvin Gaye, Ed Townsend, David Van DePitte, Hal Davis, Willie Hutch.
  • Principally recorded between 1970 and 1973. LET'S GET IT ON originally released on Tamla (329). Includes liner notes by Ed Townsend, David Ritz, Ben Edmonds and Harry Weinger.
  • All tracks have been digitally remastered.
  • Personnel: Marvin Gaye (piano, keyboards); Marvin Gaye (vocals); Eddie Willis, Robert White (guitar); Earl Van Dyke, Johnny Griffith (keyboards); Wilton Felder (bass instrument); Paul Humphrey , Paul Humphrey & the Cool Aid Chemists , Uriel Jones (drums); Hall Bobby Porter, Bobbye Porter (congas, bongos); Hank Dixon, Fred Ross, Freddie Gorman, Walter Gaines, C.P. Spencer (background vocals); David T. Walker, Donald Peake, Melvin "Wah Wah" Ragin, Louis Shelton (guitar); Ernie Watts, Plas Johnson (saxophone); Joe Sample, Marvin Jenkins (piano); Victor Feldman, Emil Richards (vibraphone); Eddie "Bongo" Brown (congas, bongos, percussion).
  • Audio Mixers: Carl Cadden-James; Jeff Glixman; Calvin Harris .
  • Liner Note Authors: Marvin Gaye; Ben Edmonds.
  • Recording information: Hitsville, Detroit, MI; Motown Studios-Hitsville West, Los Angeles, CA.
  • Photographer: Jim Britt.
  • Arrangers: David Blumberg; Gene Page; Rene Hall; David Van De Pitte.
  • Relishing the artistic freedom afforded by the success of WHAT'S GOING ON, Marvin Gaye recorded this sultry paean to sex. Where its predecessor relied on complex arrangements, the straightforward sound of LET'S GET IT ON focused attention on its tight rhythms, strong melodies, and Gaye's expressive, nuanced singing. For sheer sensual come-on, it's hard to beat the title track, one of the finest celebrations of the joys of human chemistry ever recorded. But the self-explanatory "Come Get to This" and "You Sure Love to Ball" aren't far behind in terms of passionate execution and visceral impact.
  • Though LET'S GET IT ON has its reflective moments, notably the beautiful ballad "Distant Lover," Gaye's focus is on the here and now, and the intensity of his vocal performances and the silky, fluid feel of the arrangements inform the sensual "carpe diem" philosophy. Just as WHAT'S GOING ON opened the floodgates for political soul music, LET'S GET IT ON defined the "lover man" genre populated by luminaries like Al Green, Barry White, and Isaac Hayes.

Professional Reviews
Rolling Stone (1/23/03, p.68) - 4 stars out of 5 - "...A perfect seduction-groove record...

Rolling Stone (1/23/03, p.68) - 4 stars out of 5 - "...A perfect seduction-groove record...

Uncut (5/03, p.116) - 3 stars out of 5 - "...His deliberations on the boundaries between love and sex are beautifully sung..."

Uncut (5/03, p.116) - 3 stars out of 5 - "...His deliberations on the boundaries between love and sex are beautifully sung..."

Format:CD (1 Disc); Stereo
Studio/Live: Studio
Release Date:13 January, 2003
Guest Artist: The Miracles; The Originals; Herbie Hancock


1. Let's Get It On

2. Please Stay (Once You Go Away)

3. If I Should Die Tonight

4. Keep Getting' It On

5. Come Get To This

6. Distant Lover

7. You Sure Love To Ball

8. Just To Keep You Satisfied

9. Let's Get It On

10. You Sure Love To Ball

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1 review(s)
All Reviews
Scott Wallace on
On this album, Marvin Gaye creates an excellent smooth-soul groove with a rich-sonic palette. The problem is, it's the same on each song. I have trouble telling the songs apart. After a few more listens the album may begin to reveal itself but upon first listening it seems ambiguous and foggy. The classic title track is irresistible, as is the brief "Come Get to This". Overall, the album is overlong and lacks musical variation.

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