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Manic Revelations *
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Album: Manic Revelations *
# Song Title   Time
1)    Riot in the Streets
2)    Must Be a Reason
3)    Better Man Than Me
4)    Bad Dreams
5)    Mother Nature
6)    Silent Movie
7)    Good Luck Charm
8)    Going to the Country
9)    Wellington
10)    I Will Never Change
 
Product Details
Performer Notes
  • Audio Mixer: Tony Hoffer.
  • Recording information: Native Sound, Cherokee Street, MO.
  • Photographer: Nate Burrell.
  • At the end of Manic Revelations, Pokey LaFarge sings "I will never change" -- a sentiment that he's spent the entirety of his sixth studio set disproving. Ditching the old-timey routine that's been his stock in trade since 2008, LaFarge embraces the open-hearted soul of the '60s, a sound that's nearly as retro as the pre-WWII folk, country, and jazz that populated his earlier albums. The shift in sound was propelled by his outrage over the 2014 riots in Ferguson, Missouri, a suburb of his hometown of St. Louis. Tying this political unrest to the civil rights movement of the '60s, the musician decided a revival of classic soul was the best vehicle for his message. Manic Revelations does benefit from its hopping swing and full-blooded horn section, which gives the record a considerable kinetic kick. LaFarge's reedy voice can sometimes produce a wave of cognitive dissonance -- he's still singing like he's supporting himself with a banjo -- but there are also moments where the two aesthetics merge seamlessly. With its muted trumpet wails and spooky Cab Calloway shuffle, "Mother Nature" walks a fine line between prohibition and juke joint blues, while "Good Luck Charm" is a jaunty folk number punched up by the horn section. Such hybrids speak to LaFarge's musical invention, but don't forget that, at its heart, Manic Revelations is a protest album. He may evoke old sounds but all his songs are about the present, and that means Manic Revelations isn't a stylistic exercise: it's compelling commentary. ~ Stephen Thomas Erlewine
Professional Reviews
Paste (magazine) - "LaFarge and his feisty six piece band sound like refugees from the roadhouse circuit, all sass and swagger with plenty of juke jump energy to spare."
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