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Shania Twain Greatest Hits
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New or Used: 7 copies from $16.00
Album: Shania Twain Greatest Hits
# Song Title   Time
1)    Forever And For Always Pop Red Edit More Info... 4:03
2)    I'm Gonna Getcha Good! Red Single Edit More Info... 4:02
3)    Up! More Info... 2:53
4)    Come On Over Album Version More Info... 2:55
5)    Man! I Feel Like A Woman! Album Version More Info... 3:54
6)    That Don't Impress Me Much Dance Mix More Info... 4:27
7)    From This Moment On Pop On-Tour Version More Info... 3:55
8)    Honey, I'm Home Album Version More Info... 3:37
9)    You're Still The One Remixed/Remastered More Info... 3:15
10)    Don't Be Stupid (You Know I Love You) Country Album Version More Info... 3:35
11)    Love Gets Me Every Time Album Version More Info... 3:33
12)    No One Needs To Know Album Version More Info... 3:03
13)    You Win My Love Album Version More Info... 3:45
14)    (If You're Not In It For Love) I'm Outta Here! Album Version More Info... 3:48
15)    The Woman In Me (Needs The Man In You) Album Version More Info... 3:57
16)    Any Man Of Mine Album Version More Info... 4:07
17)    Whose Bed Have Your Boots Been Under? Album Version More Info... 3:59
18)    Party For Two Pop Version With Intro More Info... 3:31
19)    Don't! Greatest Hits Version More Info... 3:56
20)    Party For Two Country Version With Intro More Info... 3:32
21)    I Ain't No Quitter Greatest Hits Version More Info... 3:30
 
Product Details
Performer Notes
  • Personnel: Shania Twain (background vocals); Shania Twain (vocals); Mark McGrath, Billy Currington (vocals); Brent Mason (guitar, electric guitar); John Willis (acoustic guitar, banjo, bouzouki, mandolin); Michael Thompson (electric guitar, slide guitar, E-bow, bouzouki); Billy Crain (slide guitar); B.J. Cole (dobro); Terry McMillan (harp, harmonica, cowbells); Jonathan Yudkin (mandolin, violin, fiddle, cello); Glen Duncan , Larry Franklin, Rob Hajacos, Aubrey Haynie, Stuart Duncan, Joe Spivey (fiddle); David Hamilton , The Irish Film Orchestra, Carl Marsh (strings); Joey Miskulin (accordion); John Barlow Jarvis (piano, Wurlitzer organ); Matt Rollings, Michael Omartian (piano); John Hobbs (organ, Wurlitzer organ); Joe Chemay (electric bass, bass guitar, fretless bass); Diamond Duggal, Simon Duggal (percussion); Olle Romo (programming); Dann Huff (guitar, electric guitar, electric 12-string guitar, wah-wah guitar, electric sitar, talk box, 6-string bass, sound effects); Biff Watson (acoustic guitar, electric guitar, nylon-string guitar); Larry Byrom (acoustic guitar, slide guitar); The Nashville String Machine (strings); Arthur Stead (piano, organ, Wurlitzer organ); Paul Leim (drums, percussion); Robert John "Mutt" Lange (background vocals).
  • Audio Mixers: Michel Gallone; Lynn Peterzell; Mike Shipley; Steve McMillan.
  • Recording information: A.R.P. Track Productions, St. Anne Des Lacs, Quebec, Ca; Battery Studios, Nashville, TN; Compass Point Studios, Nassau, The Bahamas; Emerald Sound Studios, Nashville, TN; GBT Studio, Nashville, TN; Glenn Gould Studio, Toronto, Ontario, Canada; Javelina Recording Studios, Nashville, TN; Masterfonics Tracking Room, Nashville, TN; Officine Meccaniche Next Recording Studios, Milan, Ital; Recording Arts, Nashville, Yn; Seven Studios, Mamaroneck, NY; Seventeen Grand Recording, Nashville, TN; Sound Stage Studio, Nashville, TN; Windmill Lane Recording Studio, Dublin, Ireland.
  • Arranger: Robert John "Mutt" Lange.
  • With the help of her husband, "Mutt" Lange, a legendary producer who helmed mammoth hits by AC/DC and Def Leppard, Canadian songstress Shania Twain developed a highly commercial style of country-tinged pop music that helped her become one of the biggest stars in America. Though GREATEST HITS doesn't include the two major singles from her 1993 self-titled debut, Twain has released so many hits that the 21-track disc is still overflowing with familiar chart-busters. Listening to these ubiquitous songs all in one stretch will leave listeners awed at the breadth of Twain and Lange's incredible talent for catchy pop ditties that sound cutting-edge while still retaining that ever-important hint of Nashville twang. In fact, though laced with the usual fiddles and steel guitars, many songs end up recalling ABBA and the Cars as much as anything south of the Mason-Dixon Line. Of course, the main attraction is always Twain's smoothly sensual voice, which has won over millions of fans worldwide.
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