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Sort of...Slapp Happy
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Album: Sort of...Slapp Happy
# Song Title   Time
1)    Just a Conversation More Info... 0:04
2)    Paradise Express More Info... 0:02
3)    I Got Evil More Info... 0:02
4)    Little Girls World More Info... 0:03
5)    Tutankhamun More Info... 0:02
6)    Mono Plane More Info... 0:07
7)    Just a Conversation More Info... 0:05
8)    I'm All Alone More Info... 0:02
9)    Who's Gonna Help Me Now More Info... 0:02
10)    Small Hands of Stone More Info... 0:04
11)    Sort Of More Info... 0:02
12)    Heading for Kyoko More Info... 0:03
13)    Jumping Jonah More Info... 0:03
 

Album: Sort of...Slapp Happy
# Song Title   Time
1)    Just a Conversation More Info... 0:04
2)    Paradise Express More Info... 0:02
3)    I Got Evil More Info... 0:02
4)    Little Girls World More Info... 0:03
5)    Tutankhamun More Info... 0:02
6)    Mono Plane More Info... 0:07
7)    Just a Conversation More Info... 0:05
8)    I'm All Alone More Info... 0:02
9)    Who's Gonna Help Me Now More Info... 0:02
10)    Small Hands of Stone More Info... 0:04
11)    Sort Of More Info... 0:02
12)    Heading for Kyoko More Info... 0:03
13)    Jumping Jonah More Info... 0:03
 
Product Description
Product Details
Performer Notes
  • Personnel: Anthony Moore (vocals, guitar, keyboards); Peter Blegvad (vocals, guitar); Dagmar Krause (vocals).
  • Recorded in May & June 1972.
  • Personnel: Peter Blegvad (vocals, guitar, clarinet); Dagmar Krause (vocals, piano); Anthony Moore (vocals, keyboards); G?nther W?sthoff (saxophone); Werner Diermaier (drums).
  • Slapp Happy's debut unveiled a band that was not so much an avant-rock group as one that seemed primarily interested in toying with rock conventions, as if such subversion was more inherently worthwhile than playing it straight. That meant that at its least impressive, it didn't qualify as either good avant-rock or good conventional rock, instead lumbering along with self-consciously jagged tunes. It sounds best when Dagmar Krause's vocals come to the forefront, as on "Heading for Kyoto" and the downright poppy "Blue Flower," a pretty folk-rockish number that lifts a hook from the Velvet Underground's "Femme Fatale." "Who's Gonna Help Me Now?" is strange roots-rock, and "Sort Of" a surfish instrumental that sounds like a postmodern "Telstar," all contributing to the feeling that the band was more concerned with tongue-in-cheek eclecticism than moving toward a settled identity. ~ Richie Unterberger
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