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Stages [Deluxe] [Slipcase]

Album: Stages [Deluxe] [Slipcase]
# Song Title   Time
1)    Pure Imagination [From Charlie & The Chocolate Factory]
2)    What I Did For Love [From A Chorus Line]
3)    Bring Him Home [From Les Mis?rables]
4)    Les Temps Des Cath?drals [From Notre-Dame de Paris]
5)    All I Ask From You [From The Phantom of the Opera]
6)    Try to Remember [From The Fantasticks]
7)    Over the Rainbow [From The Wizard of Oz]
8)    Children Will Listen/Not While I'm Around [From Into the Woods/Sweeny Todd]
9)    You'll Never Walk Alone [From Carousel]
10)    Old Devil Moon [From Finian's Rainbow] - (featuring Chris Botti)
11)    Finishing the Hat [From Sunday in the Park with George]
12)    If I Loved You [From Carousel]
13)    Anthem [From Chess]
14)    Gold Can Turn To Sand [From Kristina]
15)    Empty Chairs At Empty Tables [From Les Mis?rables]
Product Details
Performer Notes
  • Audio Mixers: Greg Dennen; Humberto Gatica; Martin Nessi.
  • Recording information: Abbey Road, London, England; Avatar Studios, New York, NY; Blackbird Studios, Nashville, TN; Capitol Studios, Hollywood, CA; LionShare Studios, Hollywood, CA; MSR, New York, NY; Sony Scoring Stage, Culver City, CA; SoulFuel Studios, Nashville, TN; Tal Bergman Studios, Los Angeles, CA; United Recording, Hollywood, CA; Westlake Studios, West Hollywood, CA.
  • Photographer: James Dimmock.
  • Josh Groban always skirted the edges of middlebrow pop so it's a certain relief to hear the classical singer go all in on 2015's Stages, a tribute to the great songs of the Great White Way. He throws a few movie tunes in for good measure, including the opening "Pure Imagination" from Charlie & The Chocolate Factory and "Over the Rainbow," but the concentration is on A Chorus Line, Les Miserables, The Fantasticks, Into the Woods, and Sunday in the Park with George -- lots of Sondheim, lots of musicals from after the peak of '60s crossover. Nevertheless, in its handsome deliberation, Stages does feel like a throwback to '60s LPs comprised of tunes everybody knows, sung by singers everybody knows. Groban in some ways benefits from a less operatic setting, as it naturally scales back his soaring excess, and the record is also nicely modulated -- a mellow, attractive journey to the middle of the road, a place that seems to suit Groban just fine. ~ Stephen Thomas Erlewine
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