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Underground [Bonus Tracks]
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Album: Underground [Bonus Tracks]
# Song Title   Time
1)    Thelonious - (Take 1)
2)    Ugly Beauty - (Take 5)
3)    Raise Four
4)    Boo Boo's Birthday - (Take 11)
5)    Easy Street
6)    Green Chimneys
7)    In Walked Bud
8)    Ugly Beauty - (previously unreleased, Take 4)
9)    Boo Boo's Birthday - (previously unreleased, Take 2)
10)    Thelonious - (previously unreleased, Take 3)
 

Album: Underground [Bonus Tracks]
# Song Title   Time
1)    Thelonious - (Take 1)
2)    Ugly Beauty - (Take 5)
3)    Raise Four
4)    Boo Boo's Birthday - (Take 11)
5)    Easy Street
6)    Green Chimneys
7)    In Walked Bud
8)    Ugly Beauty - (previously unreleased, Take 4)
9)    Boo Boo's Birthday - (previously unreleased, Take 2)
10)    Thelonious - (previously unreleased, Take 3)
 
Product Description
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Performer Notes
  • Personnel: Thelonious Monk (piano); Jon Hendricks (vocals); Charlie Rouse (tenor saxophone); Larry Gales (bass); Ben Riley (drums).
  • Recorded at Columbia Studios, New York, New York on December 14 & 21, 1967 and February 14 & December 14, 1968. Includes liner notes by Peter Keepnews.
  • This is part of the Columbia Jazz Masterpieces series.
  • UNDERGROUND was the first Monk album in a decade to present new compositions by the artist. It is also the last album recorded with his classic quartet, featuring tenorist Charlie Rouse and the Ben Riley/Larry Gales rhythm section. Famous for its fun cover art (Monk is depicted in a French Resistance hideout at the piano with a machine gun slung over his shoulder, as a grumpy Nazi general looks on from the background), UNDERGROUND is truly one of Monk's finest offerings.
  • His singular weave of angularity, swing, sweetness and simplicity appears everywhere. "Ugly Beauty," one of the new tunes, is a waltzing ballad. From the soft, lilting head to Rouse's blowing, there's as much lemon in the honey as the title suggests. "Raise Four" is a spacious blues, with Monk forming lean, expressive lines from its already-spare melody. This and "In Walked Bud" are prime examples of Monk's repetition of a line through the chord changes as a way of parading its various harmonic faces. The latter track is made quite evocative with the impromptu addition of singer Jon Hendricks' lyrics.
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