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Used Songs (1973-1980)
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Album: Used Songs (1973-1980)
# Song Title   Time
1)    Heartattack and Vine
2)    Eggs and Sausage (In a Cadillac with Susan Michelson)
3)    Sight for Sore Eyes, A
4)    Whistlin' Past the Graveyard
5)    Burma Shave
6)    Step Right Up
7)    Ol' 55
8)    I Never Talk to Strangers
9)    Mr. Siegal
10)    Jersey Girl
11)    Christmas Card from a Hooker in Minneapolis
12)    Blue Valentines
13)    (Looking For) The Heart of Saturday Night
14)    Muriel
15)    Wrong Side of the Road
16)    Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)
 

Album: Used Songs (1973-1980)
# Song Title   Time
1)    Heartattack and Vine
2)    Eggs and Sausage (In a Cadillac with Susan Michelson)
3)    Sight for Sore Eyes, A
4)    Whistlin' Past the Graveyard
5)    Burma Shave
6)    Step Right Up
7)    Ol' 55
8)    I Never Talk to Strangers
9)    Mr. Siegal
10)    Jersey Girl
11)    Christmas Card from a Hooker in Minneapolis
12)    Blue Valentines
13)    (Looking For) The Heart of Saturday Night
14)    Muriel
15)    Wrong Side of the Road
16)    Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)
 
Product Description
Product Details

Tracks

1. Heartattack And Vine

2. Eggs And Sausage {In A Cadillac With Susan Michaelson

3. A Sight For Sore Eyes

4. Whistlin' Past The Graveyard

5. Burma Shave

6. Step Right Up

7. Ol' 55

8. I Never Talk To Strangers

9. Mr. Siegal

10. Jersey Girl

11. Christmas Card From A Hooker In Minneapolis

12. Blue Valentines

13. {Looking For} The Heart Of Saturday Night

14. Muriel

15. Wrong Side Of The Road

16. Tom Trauberts Blues{Four Sheets To The Wind In Copenhagen

Performer Notes
  • Personnel: Tom Waits (vocals, acoustic & electric guitars, piano); Bette Midler (vocals); Roland Bautista (electric & 12-string guitars); Alvin "Shine" Robinson, Peter Klimes, Ray Crawford (guitar); Murray Adler, Israel Baker, Harry Bluestone, Nathan Kaproff, George Kast, Marvin Limonick, Alfred Lustgarten, Nathan Ross, Sheldon Sanov (violin); Sam Boghossian, Allan Harshman, David Schwartz (viola); Jesse Ehrlich, Ray Kelley, Ed Lustgarten, Kathleen Lustgarten (cello); Plas Johnson (tenor & baritone saxophones); Frank Vicari, Pete Christlieb, Herbert Hardesty, Lew Tabackin (tenor saxophone); Jack Sheldon (trumpet); Harold Batiste, Ronny Barron (piano); Mike Melvoin, DaWillie Gonga (electric piano); Charles Kynard (organ); Victor Feldman (keyboards, glockenspiel, percussion); Greg Cohen, Bill Plummer, Scott Edwards, Jim Hughart, Larry Taylor (bass); John Seiter (drums, background vocals); Chip White, John Thomassie, Bill Goodwin, Earl Palmer, Shelly Manne (drums).
  • Engineers include: Richie Moore, Bones Howe, Geoff Howe.
  • Includes liner notes by Charles Schwab, Hal Wilner, Jon Landau.
  • Digitally remastered by Dan Hersch, Bill Inglot (Digiprep).
  • Personnel: Tom Waits (vocals, acoustic guitar, electric guitar, piano); John Seiter (vocals, drums); Peter Klimes (guitar); Shine Robinson, Ray Crawford (electric guitar); Roland Bautista (12-string guitar); Nathan Kaproff, George Kast, Marvin Limonick, Murray Adler, Alfred Lustgarten, Israel Baker, Nathan Ross, Sheldon Sanov, Harry Bluestone (violin); David Schwartz , Allan Harshman, Samuel Boghossian (viola); Kathleen Lustgarter, Ray Kelley, Edgar Lustgarten, Jesse Ehrlich (cello); Plas Johnson (tenor saxophone, baritone saxophone); Frank Vicari, Lew Tabackin, Pete Christlieb, Herb Hardesty (tenor saxophone); Jack Sheldon (trumpet); Harold Battiste, Jr. (piano); Dawilli Gonga, Mike Melvoin (electric piano); Charles Kynard (organ); Victor Feldman (keyboards, glockenspiel, percussion); Chip White, Earl Palmer , John Evans Thomassie, Shelly Manne, Bill Goodwin (drums).
  • Arranger: Jerry Yester.
  • While Tom Waits would come to be best known for the innovative work that followed his stylistic reinvention/deconstruction in the 1980s, that material could not have existed without the groundwork he laid down throughout his Elektra tenure of the '70s. During this period, he mastered the songwriting craft while working a Hoagy Carmichael-meets-Jack Kerouac persona that made him one of the most memorable, idiosyncratic characters of the '70s singer/songwriter crop. While peers were plucking gentle acoustic guitars and singing sweetly of tender feelings, Waits was drunkenly pounding a barroom piano, howling in a Wolfman Jack-sings-the-blues voice about the seedy underbelly of the American Dream. His musical language was rooted solidly in jazz, blues, and the Great American Songbook, while his lyrical bent showed he'd spent as much time absorbing Charles Bukowski as he had internalizing Ira Gershwin. USED SONGS covers this vital period of Waits's career in a concise manner, from the down-and-out saloon songs to the dreamy, jazz-tinged reveries and bluesy stompers.
Professional Reviews
Q (12/01, p.166) - 4 stars out of 5 - "...Wait's most romantic material..."

Uncut (12/01, p.122) - 3 1/2 stars out of 5 - "...A fine starting point for a long, strange trip..."
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