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Visions/Expressions/ Portrait

Album: Visions/Expressions/ Portrait
# Song Title   Time
1)    Time on My Hands
2)    I'll Forgive But I'll Never Forget
3)    I'm Getting Good at Missing You
4)    In the Mornin'
5)    Missing You Missing Me
6)    Some Broken Hearts Never Mend
7)    Fallin' in Love Again
8)    We Can Sing
9)    I'll Need Someone to Hold Me (When I Cry)
10)    Expert at Everything
11)    Cup O' Tea
12)    I Would Like to See You Again
13)    You've Got a Hold on Me
14)    Tears of the Lonely
15)    All I'm Missing Is You
16)    Tulsa Time
17)    Lay Down Beside Me
18)    Give It to Me
19)    Not a Chance
20)    It Must Be Love
21)    When I'm with You
1)    It Only Rains on Me
2)    We've Never Tried It with Each Other
3)    We're All the Way
4)    Circle Driveway
5)    You Get to Me
6)    Steal My Heart Away
7)    Love's Endless War
8)    Woman You Should Be in Movies
9)    Love Me Over Again
10)    Good Ole Boys Like Me
Product Details
Performer Notes
  • Liner Note Author: John Tobler.
  • Recording information: Jack Clement Recording Studios, Nashville.
  • Photographers: John Donegan; Frank Laffitte; David Montgomery; Chris Forte .
  • BGO's 2013 three-fer combines three of his hit albums from the late '70s: 1976's Visions, 1978's Expressions, and 1979's Portrait. These are the records that arrived after Williams' first greatest-hits and, thanks to such hits as "Some Broken Hearts Never Mend," "Tulsa Time," "Lay Down Beside Me," "It Must Be Love," "Love Me Over Again," and "Good Ole Boys Like Me," they were among his most popular. If it's slightly difficult to discern differences between the three records -- there's a creeping sense of polish that increases as the records get newer, sometimes surfacing via bouncy near-novelties like the corny "Woman You Should Be in Movies" -- there's nevertheless something to be said for Williams' consistency. These three records prove Williams was reliable, delivering sweet ballads punctuated by amiable midtempo pop songs, and the occasional laid-back country rocker like "Tulsa Time" which, in this context, sound harder than they would on country radio. Through it all, Williams' voice is warm, rich, and resonant, lending life to music that is sometimes just a wee bit too cozy. ~ Stephen Thomas Erlewine
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