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Wayne Horvitz

Album: Wayne Horvitz: Film Music, 1998-2001
# Song Title   Time
1)    Car in the Lake
2)    Shell, The
3)    Putting It Together
4)    Clogging the Canal
5)    Sell Out
6)    Vegas
7)    Curtain, The
8)    Aggregate, The
9)    Nouveau Riche I
10)    Walking in Venice
11)    Museum, The
12)    Monterey
13)    In the Closet
14)    Sky Shot
15)    Up and Over
16)    Night Life, Right Life
17)    Floating the Blues
18)    In the House
19)    Capricious Midnight
20)    Twistin and Turnin
21)    Mrs. Bates
22)    Nouveau Riche II
23)    Glass on the Water
24)    Walking the Plaza
25)    Mumble
26)    From Where I See It Now
27)    Inside the Outside
28)    Buena Note
29)    Car in the Lake II
30)    Prelude
31)    Scene I
32)    Hot Dog
33)    Chase, The
34)    House of Mirrors
35)    Lady in the Box
36)    Mealtime
37)    Eating the Egg
38)    William Tell
39)    Barber Shop
40)    Girl, The
41)    Show, The
42)    Circus Prospered, The
43)    Pitch Fork
44)    Charlie on the Ropes
45)    The Store / The Campfire
46)    Wedding, The
47)    Finale: The Circus Leaves Town
Product Details
Performer Notes
  • Personnel: Wayne Horvitz (piano, organ, keyboards, samples); Reggie Watts (vocals, keyboards); Doug Wieselman (tenor saxophone, clarinet, guitar);
  • Hans Teuber (saxophone, flute); Skerik, Craig Flory, Brian Kent (saxophone); Julian Priester (trombone); Jen Charowhas (violin); Eyvind Kang (viola); Robin Holcomb (piano); Timothy Young, Bill Frisell, Andre Otraskin (guitar); Keith Lowe (acoustic & electric basses); Mike Bisio (acoustic bass); Fred Chalenor (electric bass); Davis Martin, Andy Roth (drums); Ed Pias (percussion); DJ Logic (turntables).
  • Wayne Horvitz decided to scramble the tracks on this collection, taking pieces from different film projects and sequencing them out of order to make an album of stand-alone music. The effect is simply stunning, as Horvitz pulls the works from their original contexts and births a whole new beast in the process. The conceptual shifts seem random at first but unfold with an appealing aesthetic coherence. Within the first four tracks alone (there are 47 in all), Horvitz moves from eerie samples to mellow acoustic to hip-hop to early jazz. (Bill Frisell, DJ Logic, Julian Priester, Michael Bisio, and the members of Zony Mash are among the supporting musicians.) As the disc plays, patterns begin to emerge and the specific character of each film project becomes clearer. In addition to music for Gary Gibson's Chihuly Over Venice and an untitled film by Gus Van Sant, Horvitz includes four pieces composed for a Frank Gehry exhibit, six from a project called "Bellagio," and three intriguing demos. Tracks 30 through 47 depart from the rest of the program by presenting, in one continuous block, music conceived for Charlie Chaplin's The Circus, performed live by the Seattle Chamber Players. ~ David R. Adler
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