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What's Inside
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Album: What's Inside: Songs from Waitress [Deluxe Package] *
# Song Title   Time
1)    What's Inside
2)    Opening Up
3)    Door Number Three
4)    When He Sees Me
5)    Soft Place to Land
6)    Never Ever Getting Rid of Me
7)    I Didn't Plan It
8)    Bad Idea
9)    You Matter to Me
10)    She Used to Be Mine
11)    Everything Changes
12)    Lulu's Pie Song
 

Album: What's Inside: Songs from Waitress [Deluxe Package] *
# Song Title   Time
1)    What's Inside
2)    Opening Up
3)    Door Number Three
4)    When He Sees Me
5)    Soft Place to Land
6)    Never Ever Getting Rid of Me
7)    I Didn't Plan It
8)    Bad Idea
9)    You Matter to Me
10)    She Used to Be Mine
11)    Everything Changes
12)    Lulu's Pie Song
 
Product Description
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Performer Notes
  • Personnel: Jared Scharff (guitar); Melissa Tong, Ben Russel (violin); Kallie Ciechomski (viola); Yair Evnine (cello); Neal Avron (keyboards, programming).
  • Audio Mixer: Neal Avron.
  • Recording information: Electric Lady Studios, NY; The Casita, Hollywood, CA.
  • Photographer: Shervin Lainez.
  • Of all the pop singer/songwriters who surfaced in the 21st century, Sara Bareilles may be uniquely qualified to write the songs for a Broadway musical. Indebted to tradition without being beholden to it, Bareilles always favors songs so exquisitely sculpted that their craft is never noticed, only felt, so she's a natural fit for Diane Paulus' adaptation of Adrienne Shelly's 2007 indie comedy-drama Waitress. What's Inside: Songs from Waitress isn't a cast album, it's Bareilles' recording of 12 songs from the production, and the highest compliment that can be paid is that it simultaneously plays as drama and as a sequel to her Grammy-nominated 2013 album The Blessed Unrest. Bright and open, What's Inside does feel of a piece with her 2010 album Kaleidoscope Heart -- the presence of that album's producer Neal Avron, who sat out The Blessed Unrest, is apparent -- and that warm, colorful sheen is enough to make the album play as pop: simply judged on its surface, it provides tangible pleasures. The nifty trick Bareilles pulls off on What's Inside is how the songs also contain a double-edge, serving the drama of the story while also playing as pure pop. Sure, there are flourishes that are pure musical theater -- there's the opening fanfare of "What's Inside." "Never Ever Getting Rid of Me" is Gilbert & Sullivan by way of Todd Rundgren and the show-stopping ballad "She Used to Be Mine" almost seems to conjure a lonely spotlight -- but never once do the songs on What's Inside feel in mere service to a plot. Taken on their own, they're lively, clever, and bold, and further evidence of Bareilles' versatility, elegance, and wit. ~ Stephen Thomas Erlewine
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