1: Those in Peril on the Sea
2: The Combat that is called Navigation
3: Taking to the Sea
4: Two Seas, Many Responses: 5300-1200 B.C.
5: The Eastern Mediterranean Cauldron: 5300-1200 B.C.
6: Exploring the Ends of the World: 1200-600 B.C.
7: Of Ships and Sails: a Technical Interlude
8: Into the Outer Ocean: 600-100 B.C.
9: The Atlantic Community: 100 B.C.-A.D. 500
10: An End and a Beginning: A.D. 350-800
11: The Age of the Northmen: A.D. 780-1100
12: The New European Order: A.D. 1100-1400
13: To the Other Side of the World: A.D. 1400-1510
14: Reflections on the Ocean
Guide to Further Reading
Illustration Sources
Index
Barry Cunliffe taught archaeology in the Universities of Bristol
and Southampton and was Professor of European Archaeology at the
University of Oxford from 1972 to 2008, thereafter becoming
Emeritus Professor. He has excavated widely in Britain (Fishbourne,
Bath, Danebury, Hengistbury Head, Brading) and in the Channel
Islands, Brittany, and Spain, and has been President of the Council
for British Archaeology and of the Society of Antiquaries, a
Governor of the
Museum of London, and a Trustee of the British Museum. He is
currently a Commissioner of English Heritage. His many publications
include The Ancient Celts (1997), Facing the Ocean (2001), The
Druids: A
Very Short Introduction (2010), Britain Begins (2012), and By
Steppe, Desert, and Ocean (2015), all published by Oxford
University Press. He received a knighthood in 2006.
This beguiling, thought-provoking, sumptuously illustrated, and
engaging book is essential reading.
*MS, Current World Archaeology*
On the Ocean is about overcoming the bias of traditional land based
narratives, emphasising maritime Europe and what this reveals about
our past. As such it is an important and enjoyable book, and one
that deserves to be widely read.
*Jon Henderson, The Prehistoric Society*
On the Ocean is a magnificent book, being carefully crafted and
requiring all of Barry Cunliffe's encyclopaedic knowledge. The
image portrayed, through multilateral means, offers a coherent
narrative that can be followed through different times and spaces,
offering both the overall view and the detailed developments.
*Stefan Vasilache, Journal of Ancient History and Archaeology No.
4.4*
On the Ocean is a book all nautical (and terrestrial)
archaeologists should read... It provides a comprehensive overview
from a seafaring perspective of the Mediterranean and Atlantic from
the beginnings of humankinds voyaging in these waters to the
discovery of the Americas.
*Colin Martin (University of St Andrews), The International Journal
of Nautical Archaeology*
The book adopts a familiar format to Cunliffes other recent volumes
and supplies everything we have come to expect. It is hugely
ambitious in scope, fluently written and beautifully illustrated
with panoramic photographs of landscapes and monuments, plus
trademark mapping... In between, the narrative takes in deep
geological history, the nature of winds, tides and currents, the
night sky, the peopling of islands and coastal areas and details of
ship- and boat-building technology.
*Robert Witcher, Antiquity Reviews, December 2017*
Another magisterial tour de force replete with informative charts
and beautiful illustrations... [On the Ocean is] an extraordinary
achievement, all the more so for its engaging and elegant
style.
*David Lorimer, Paradigm Explorer*
An absorbing and lively account of the early Atlantic and
Mediterranean. Importantly, it reflects the latest research and
delves deeply into the motives of those who sailed them: not just
where and how they travelled, but what fears these seas evoked.
*David Abulafia, History Today*
A grand and beautifully illustrated work, offering a fascinating
perspective from which to understand human development and
achievement.
*Michael Scott, BBC History Magazine*
Cunliffe writes sparse, clear, uncluttered prose that never
tires... The maps are staggeringly good, all drawn with great
freedom, in defiance of hidebound cartographical conventions... The
copious illustrations are well chosen, too - always engaging, often
dramatic... Overall, the total effect of On the Ocean is to
encourage a new way of looking at European history using a maritime
perspective. I hope it changes the way people think: it is good
enough to do so.
*Felipe Fernandez-Armesto, Literary Review*
Cunliffe's On the Ocean is a beautifully illustrated and
well-designed book.
*Brian Ayres, Medieval Archaeology*
[An] impressive new book ... On the Ocean was conceived as a
synthesis aimed at a broad audience, and for that purpose it is
well-suited, being easy to read and unemcumbered by in-text
references.
*Letty Ten Harkel, Medieval Settlement Research*
This beautifully and clearly written volume, with its superb colour
illustrations, informative maps and diagrams, is nothing less than
a masterpiece of multidisciplinary history wrought large as a
powerful narrative.
*Antiquaries Journal*
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