Acknowledgements General Editor's Preface Introduction; K. Chedgzoy The Patriarchal Bard: Feminist Criticism and Shakespeare: King Lear and Measure for Measure; K. McLuskie Feminist Theory and the Editing of Shakespeare: The Taming of the Shrew Revisited; A. Thompson Woman's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre; L. Goodman Gender and Nation: Anticipations of Modernity in the Second Tetralogy; J.E. Howard & P. Rackin How to Read The Merchant of Venice without being Heterosexist; A. Sinfield The Homoerotics of Shakespearean Comedy; V. Traub Mourning and Misogyny: Hamlet and the Final Progress of Elizabeth I; S. Mullaney He Do Cressida in Different Voices; B. Hodgdon Revolutions, Petty Tyranny and the Murderous Husband; F. Dolan Macbeth and the All-singing, All-dancing Plays of the Jacobean Witch-Vogue; D. Purkiss The Colour of Patriarchy: Critical Difference, Cultural Difference and Renaissance Drama; A. Loomba Further Reading Notes on Contributors Index.
KATE CHEDGZOY is Reader in English and Comparative Literary Studies at the University of Warwick.
KATE CHEDGZOY is Reader in English and Comparative Literary Studies at the University of Warwick.
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