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Empty Figure on an Empty Stage
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Table of Contents

Preliminary Table of Contents:

Acknowledgments
Introduction

1. Emptiness: Ontological, Theatrical, Theatro-psychic
2. Surrealist Inner Space: Theatre of the (Empty) Mind
3. Beckett's Pursuit of Emptiness: The Concentrated (Empty) Image Behind the Fragmented Story In the Late Plays
4. Avatars of the Hypersubjective Dramatic Character
5. The Hypersubject Avatar Manqué
6. TheHypersubjective Marionette-like Legacy of Pierrot: From the Social Space of the Commedia to the Empty Space of Nouveau Théâtre

Conclusion
Works Cited

Promotional Information

An excitingly original approach to the theatre of the absurd

About the Author

Les Essif is Associate Professor of Modern Languages and Literatures at the University of Tennessee, Knoxville.

Reviews

Essif (Univ. of Tennessee, Knoxville) presents a sophisticated analysis of theatrical and psychic space, particularly of Beckett's empty figure on an empty stage. With special regard for the later plays, particularly Rockaby and Not I, the author identifies the techniques that focus the spectator's attention on the human body—the hypersubjective dramatic character—that connects the empty outer space of the stage and the empty inner space of the mind. Such a study necessitates an analysis not only of the ontological and metaphorical but also of the development of modern drama. Essif links Beckett with other playwrights (many French) in the nouveau théâtre (theatre) and offers a parenthetical chapter on the work of others—Pinter, Stoppard, Handke, Shepard—by way of contrast, an approach that succeeds admirably in situating Beckett. And in a final, illuminating chapter, he extends his reach to the figures of the harlequin of commedia and Pierrot, a modern mutant, distinguishing between them and connecting Beckett with the more meditative, socially isolated Pierrot. This is an intelligent, evocative study that, in its modest way, does more than most others in conceptualizing and articulating Beckett's fascination with emptiness and silence. Upper-division undergraduates and above.November 2001
*Lafayette College*

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