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Film Theory
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Table of Contents

Volume I Part 1: Essence and Specificity Part 2: Language Part 3: Technologies Volume II Part 4: Authorship Part 5: Genre Part 6: Narrative and Narration Volume III Part 7: Audiences and Spectatorship Part 8: Personal Identities and Representation Part 9: Cultural Identities, Colonialism and Postcolonialism Volume IV Part 10: Realism and the Real Part 11: Modernism and Postmodernism Part 12: Economics and Globalisation

About the Author

Philip Simpson is a researcher and writer. His previous positions include Head of Education at the British Film Institute and Head of the Department of Radio Film and Television Studies at Canterbury Christ Church University College, UK

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