Proposed Table of Contents: Introduction Queering Borders Stephen Amico Mi Casa es Su Casa: Latin House, Sexuality and the Formation of Place (p) Jeffrey Callen 'Gender Crossings : A Neglected History in African American Music' Freya Jarman-Ivens Queer constructions of masculinity in rap music (p) Vanessa Knights Big Boys Don't Cry? : Performances of Pleasure and Pain in the Bolero (p) Mario Rey Albita Rodgriguez: Sexuality, Imaging, and Gender Construction in Music of Exile (p) Queer Spaces Paul Attinello Closeness and Distance: Songs about AIDS (cp) Rachel Cowgill 'Music, Consumption, and the Lesbian Self' (p) Rachel Devitt Talk softly and carry a big...stick! Stealing the Spotlight and Building a Dyke Community with Seattle's All-Grrrl Queer Cabarets (p) Jason Lee Oakes (sc) Night of a Thousand Stevies: Queer strategies and the forging of femininity Jennifer Rycenga Is This Desire?: Queering Large-scale Form in Rock (p) Karen Tongson Tickle Me Emo: Lesbian Balladeering, Straight-Boy Emo and the Politics of Affect (p) Hidden Histories Judith Halberstrom What's That Smell: Queer Temporalities and Subcultural Lives. (p) Anno Mungen Anders als die Anderen, or Queering the Song. Construction and Representation of Homosexuality in German Cabaret Song Recordings before 1933 (p) Lloyd Whitesell Trans Glam: Gender Magic in the Film Musical (p) Mixed Media (how music/queering is mediated by visual culture and videos) Stan Hawkins Mediations on Queer Masculinity in Pop Videos (p) Sarah Kerton 'Too Much Tatu Young' (p) Emma Mayhew I am not a box of any Kind: Sinead O'Connor's Queer Outing (p) Gilad Padva Hey, Man, You're My Girlfriend! Poetic Genderfuck and Queer Hebrew in Eran Zur's Performance of Yona Wallach's Lyrics (sc) Sheila Whiteley Popular Music, Queering and the Dynamics of Desire (sc)
Sheila Whiteley is Chair of Popular Music at
the University of Salford. She is the author of Sexing theGroove:
Popular Music and Gender ,Women and Popular Music: Sexuality,
Identity and Subjectivity and Too Much TooYoung: Popular Music, Age
and Identity all published by Routledge.
Jennifer Rycenga is Coordinator of Women's Studies
at San Jose State University in California. She coedited Frontline
Feminisms: Women, War, and Resistancewith Marguerite Waller
(Garland 2001). She has written for repurcussions, The Encyclopedia
of Women and WorldReligion, The Garland Encyclopedia of World Music
and TheEncyclopedia of Popular Music of the World..
'Queering the Popular Pitch considers much more than a new gay and lesbian popular musicology. This new collection of essays applies the queer framework to popular music, musicians, nationalistic contexts, as well as film music and stage presence' - Popular Music'This collection is a recommended addition for both interdisciplinary scholars and (popular) musicologists alike' - Popular Music
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