1. Analogy and category; 2. Prose pictures; 3. Film language; 4. Cinematic novels/literary cinema; 5. Literary cinema and the form/content debate; 6. Adaptation and analogy.
This book historicizes and critiques the debate between books and film.
'Painstaking research and elegant phrasing enable Elliott to execute with brilliance her self-assigned Herculean task: an attempt to reframe how words and images have been set against one another and to reveal in arduous detail how they have been confusingly labeled as both independent and interrelated. Rethinking the Novel/Film Debate is a tour de force, well worth recommending.' Cercles
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