Oliver Sacks was a physician, writer, and professor of
neurology. Born in London in 1933, he moved to New York City in
1965, where he launched his medical career and began writing case
studies of his patients. Called the “poet laureate of medicine” by
The New York Times, Sacks is the author of more than a dozen books,
including The Man Who Mistook His Wife for a
Hat, Musicophilia, and Awakenings, which inspired an
Oscar-nominated film and a play by Harold Pinter. He was the
recipient of many awards and honorary degrees, and was made a
Commander of the British Empire in 2008 for services to medicine.
He died in 2015.
www.oliversacks.com
“Powerful and compassionate. . . . A book that not only contributes to our understanding of the elusive magic of music but also illuminates the strange workings, and misfirings, of the human mind.” —The New York Times“Curious, cultured, caring. . . . Musicophilia allows readers to join Sacks where he is most alive, amid melodies and with his patients.” —The Washington Post Book World“Sacks has an expert bedside manner: informed but humble, self-questioning, literary without being self-conscious.”—Los Angeles Times“Sacks spins one fascinating tale after another to show what happens when music and the brain mix it up.” —Newsweek“Sacks once again examines the many mysteries of a fascinating subject.” —The Seattle Times
Sacks is an unparalleled chronicler of modern medicine, and fans of his work will find much to enjoy when he turns his prodigious talent for observation to music and its relationship to the brain. The subtitle aptly frames the book as a series of medical case studies-some in-depth, some abruptly short. The tales themselves range from the relatively mundane (a song that gets stuck on a continuing loop in one's mind) through the uncommon (Tourette's or Parkinson's patients whose symptoms are calmed by particular kinds of music) to the outright startling (a man struck by lightning subsequently developed a newfound passion and talent for the concert piano). In this latest collection, Sacks introduces new and fascinating characters, while also touching on the role of music in some of his classic cases (the man who mistook his wife for a hat makes a brief appearance). Though at times the narrative meanders, drawing connections through juxtaposition while leaving broader theories to be inferred by the reader, the result is greater than the sum of its parts. This book leaves one a little more attuned to the remarkable complexity of human beings, and a bit more conscious of the role of music in our lives. (Oct.) Copyright 2007 Reed Business Information.
"Powerful and compassionate. . . . A book that not only contributes to our understanding of the elusive magic of music but also illuminates the strange workings, and misfirings, of the human mind." -The New York Times"Curious, cultured, caring. . . . Musicophilia allows readers to join Sacks where he is most alive, amid melodies and with his patients." -The Washington Post Book World"Sacks has an expert bedside manner: informed but humble, self-questioning, literary without being self-conscious."-Los Angeles Times"Sacks spins one fascinating tale after another to show what happens when music and the brain mix it up." -Newsweek"Sacks once again examines the many mysteries of a fascinating subject." -The Seattle Times
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