Contents
Acknowledgments
Chapter 1: Introduction
Chapter 2: Copyright Over the Boarder: Freedom, Commons,
Appropriation
Chapter 3: No One Would Murder for a Pattern: Crafting IP in Online
Knitting Communities
Chapter 4: Growing a Patent Culture: Plant Hormones Research and
the National Research Council
Chapter 5: Exchange Practices Among Nineteenth-century US Newspaper
Editors: Cooperation in Competition
Chapter 6: Copying and the Case of the Legal Profession
Chapter 7: Cultural Labor in a Small City: Motivations, Rewards,
and Social Dynamics
Chapter 8: The Art of the Copy: Labor, Originality, and Value in
the Contemporary Art Market
Afterword
Bibliography
Index
Laura J. Murray is Associate Professor of English and Cultural
Studies at Queen's University. Her work in Indigenous Studies and
American Literary History informs her work on copyright law. With
Samuel E. Trosow, she is author of Canadian Copyright: A Citizen's
Guide (2007, 2013).
S. Tina Piper is Assistant Professor of Law at McGill University.
Her doctoral dissertation at the University of Oxford explored the
relationship between the professionalization of U.K. physicians and
their Intellectual Property practices. She has also published on IP
practices in the Canadian military, and on how present-day
independent music labels in Montreal use and avoid IP law.
Kirsty Robertson is Associate Professor of Contemporary Art and
Museum Studies in the Department of Visual Arts at the University
of Western Ontario. Her research focuses on activism, visual
culture, and changing economies. Her co-edited volume Imagining
Resistance: Visual Culture and Activism in Canada was released in
2011.
"This book feels like an important milestone in the study of IP,
art and science. It is both a study and example of the richness of
intellectual work and works that smartly situate the role of law in
shaping both." -Jessica Silbey, Professor of Law, Suffolk
University Law School, Intellectual Property Journal
"This book is an interdisciplinary effort by three Canadian
scholars... The combination of [their] backgrounds means that the
book is accessible to a wide reach of readers, all the more so for
its use of contemporary, unique and accessible case studies." -Emma
Linklater, European Journal of Legal Studies
"The book is a genuine attempt to engage with the legal, social,
and anthropological logic of intellectual property law." -Luke
McDonagh, The IP Law Book Review
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