Table of Contents

Introduction
Chapter 1: The Boy from Philadelphia
Chapter 2: Journeyman Years
Chapter 3: Early Works (1924-1929)
Chapter 4: Life with Eva, I (1929-1931)
Chapter 5: From is 5 (1929) to the Piano Concerto (1931)
Chapter 6: Life with Eva, II (1932-1936)
Chapter 7: Critical Writings (1931-1940)
Chapter 8: From the Serenade (1932) to The Chesapeake Bay Retriever (1936)
Chapter 9: The Cradle Will Rock, I (1936-7)
Chapter 10: The Cradle Will Rock, II
Chapter 11: From The Spanish Earth (1937) to Danton's Death (1939)
Chapter 12: No for an Answer (1937-1940)
Chapter 13: From Valley Town (1940) to Labor for Victory (1942)
Chapter 14: To London and Back (1942-1945)
Chapter 15: From Freedom Morning (1943) to the Airborne Symphony (1946)
Chapter 16: From Goloopchik (1945) to The Guests (1949)
Chapter 17: Regina, I (1946-49)
Chapter 18: Regina, II
Chapter 19: The Threepenny Opera (1950-54) and Other Adaptations
Chapter 20: Reuben Reuben (1949-1955) and This is the Garden (1956-1957)
Chapter 21: More Music for Shakespeare (1950-58)
Chapter 22: Juno (1957-59)
Chapter 23: Final Years, I (1959-1961)
Chapter 24: Final Years, II (1961-64)
Chapter 25: The Unfinished Operas
Conclusion

About the Author

Howard Pollack is John and Rebecca Moores Professor of Music at the University of Houston and author of, among other books, John Alden Carpenter: A Chicago Composer; Aaron Copland: The Life and Work of an Uncommon Man; and George Gershwin: His Life and Work.

Reviews

"This comprehensive book about the life and music of the sadly neglected composer Marc Blitzstein is, as well, an invaluable guide to the workings of American arts during the composer's lifetime." --Edward Albee, playwright
"Marc Blitzstein was a friend, from the moment we first met in 1946 until he died eighteen years later. Now he lives again in Howard Pollack's pages. As a composer he was one of a kind, with his whistleable tunes encased in wise formality, and his bodily presence, so happy and so sad." --Ned Rorem, composer / author
"A timely and invaluable study of a composer we need to know more about. I marvel at Howard Pollack's capacity--as with his biographies of Copland and Gershwin--to digest and synthesize a wealth of information, copiously gathered." --Joseph Horowitz, author of Classical Music in America: A History
"A strong biography." Playbill
"A brilliantly researched new biography." --Jewish Daily Forward
"Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this important American artist." --Newreads
"Now, Pollack has made Blitzstein happen, just as he succeeded in his comprehensive studies of Gershwin and Copland." --Jewish Herald Voice
"[An] exceptionally researched, detailed, and important study of this fascinating, complex, and still relatively unknown composer who well deserves a book of this quality." --Notes
"In this comprehensive, sensitive, and beautifully written biography, Howard Pollack scrutinizes every part of Blitzstein's complex personal as well as public life, sustaining his well-deserved reputation as our foremost biographer of American classical composers." --Judith Tick, Matthews Distinguished University Professor, College of Arts, Media, and Design, Northeastern University
"Pollack has already told us everything we need to know about Copland and Gershwin. Now he scrutinises Blitzstein in the context of his entire cultural and political scene in fascinating and impeccably researched detail." --Peter Dickinson, Emeritus Professor of Keele and London Universities
"A thorough biography." --DC Theatre Scene
"Now, Pollack has made Blitzstein happen, just as he succeeded in his comprehensive studies of Gershwin and Copland". --Jewish Herald Voice

26 "Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this important American artist." Newreads
"The fluidity of prose, moving between established fact and new interviews and critical ideas, is remarkable, making for a book that is rivaled only by Pollack's biography of Aaron Copland...A momentous achievement indeed...Highly recommended." --Choice
"An eventful and rewarding voyage of immersion into the life and work of an important American composer." --New Music Connoisseur
"Especially valuable..." --Dance Chronicle
"Howard Pollack's new biography offers a veritable breath of fresh air, for it introduces clearly and exhaustively the multifaceted qualities of this enormously inventive and surprisingly prolific composer...With its detailed discussion of musical sketches and compositions, its insightful use of archival sources, its ethnographic approach based on new interviews with Blitzstein's friends and family, and its wonderfully selected collection of photographs,
Pollack's biography significantly deepens our knowledge of a charismatic composer."--Journal of the Society for American Music
"Those interested in twentieth-century music, American music, musical theater, LGBTQ history, Jewish composers, music informed by considerations of politics including race, ethnicity, gender, and sexuality, and leftist musicians and artists are in Pollack's debt for this magnificent, richly detailed study. It will, I trust, prompt many more performances, critical editions of scores, and greater analytical engagement with Blitzstein's music, generating
fresh views on a remarkable composer and person."--Journal of the American Musicological Society