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A social and iconographic history of a West African sculptural form

About the Author

Edna Bay is an associate professor in the Graduate Institute of the Liberal Arts at Emory University and the author of Wives of the Leopard: Gender, Politics, and Culture in the Kingdom of Dahomey and other works.

Reviews

"In this nuanced extended essay, Bay demonstrates the social processes through which an object type can both reflect and structure devotional practice embedded within political economy, changing over time. . . . Recommended."--Choice

“Edna Bay paints a dense landscape of Dahomey during the precolonial, colonial, and postcolonial period through the lens of the asen . . . . In all, this valuable asen study offers a comprehensive account of the shifts in political, socioeconomic, and religious thought in Ouidah and beyond over 150 years.”--International Journal of African Historical Studies

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