Prologue: Chasing Amy and Bisexual (In)visibility
Introduction: Binary Trouble and Compulsory Monosexuality
1. Unthinking Monosexuality: Bisexual Representability in Art
Cinema
2. Power Play/s: Bisexuality as Privilege and Pathology in
Sexploitation Cinema
3. Of Cowboys and Cocksmen: Bisexuality and the Contemporary
Hollywood Bromance
4. Bisexuality on the Boob Tube
Conclusion: Queer/ing Bisexuality
Notes
Bibliography
Index
The new face of desire on screen
Maria San Filippo has taught film and television studies, and gender and sexuality studies, at MIT, Harvard University, UCLA, and Wellesley College. Her work has appeared in the journals CineAction, Cineaste, English Language Notes, Film History, In Media Res, Journal of Bisexuality, Quarterly Review of Film and Video, and Senses of Cinema and the anthologies Global Art Cinema and Millennial Masculinity: Men in Contemporary American Cinema.
"Maria San Filippo shirks the trouble that often plagues survey-driven monographs by finding precise and acute similarities between the most seemingly disparate films and TV shows, even discussing Louise Brooks and Tila Tequila in the same sentence! Her deft pen is not merely quick, however, as the case studies contained here are long on theory and narrative comprehension (especially a chapter on Wedding Crashers which ranks with my favorite critical case studies of the year). If the book lacks discussion of formal traits within its given objects of study, those shortcomings are easily dismissed with the high level of textual analysis on display." - Clayton Dillard, Slant Magazine
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