Roger Atwood is a regular contributor to ARTnews and Archaeology magazines, and his articles on culture and politics have appeared in The New Republic, Mother Jones, The Nation, The Washington Post, and the Los Angeles Times. He was a fellow at the Alicia Patterson Foundation and a journalist for Reuters for fifteen years, reporting from Peru, Argentina, Brazil, and Chile. He was awarded the Beacon Award by SAFE (Saving Antiquities for Everyone).
"Roger Atwood's Stealing History presents a compelling, thorough, and firsthand investigation of the many facets of the international trade in looted archaeological artifacts . . . Atwood's volume is . . . a most welcome addition to the literature . . . [He]. . . does a significant service by adding to our understanding of the operation of the international market in archaeological artifacts and its disastrous consequences for the preservation of archaeological sites . . . Atwood's book make a significant contribution to the scholarship on this subject, but it is accessible to the archaeologist, legal expert, and general public alike. The legal information presented is accurate and provides a useful guide to the underlying issues. This book contributes more than any other publication in more than 30 years to an understanding of the devastation to cultural heritage caused by site looting and to the search for solutions." --Patty Gerstenblith, American Journal of Archaeology "A perfect detective story . . . exposes quite a few skeletons in the cupboards of respected American institutions . . . Yet Atwood not only describes the disease, he tries to find a cure. He proposes a detailed program of international and domestic legislation to stop gravediggers, smugglers, and their rich patrons." --The Washington Post "Riveting . . . takes readers on a thorough investigation from war-ravaged Iraq to northern Peru." --The Chicago Sun-Times "Atwood gained extraordinary access to actors at every level of the illicit trade in antiquities . . . Packed with detail." --The Boston Globe "This vividly written, well-researched book is a great primer for anyone interested in the ongoing struggle by archaeologists, law enforcement officials, and national governments to curb the illegal antiquities trade." --Archaeology Magazine "Every archaeologist's worst nightmare . . . is recorded with horrid fascination by journalist Roger Atwood." --Discover Magazine "Prodigiously researched . . . eloquent . . . Atwood's aim is not merely to entertain, and he uses the case of the Sipán and the Peruvian antiquities trade to explore the global problem of looting and the forces that sustain it." --Hugh Eakin in ARTnews "Atwood sees the antiquities market as a destructive extraction industry, obliterating the record of entire civilizations . . . even the most respected museums are implicated." --Wired "A well-written book about an important issue in the world of art and history." --St. Louis Post-Dispatch "A fascinating book, full of life and color . . . shines a spotlight on the shady world of looting, smuggling and trading in archaeological artifacts around the globe." --National Catholic Reporter "A highly readable exposé that reveals in shocking detail the extent of the robbing, the vast sums of money involved and the market conditions that fuel the increasing demand for stolen artifacts." --Tucson Citizen "Compelling . . . The characters of this drama are vividly drawn . . . Atwood's detailed accounts of law enforcement's failing at most levels are disturbing . . . [a] valuable book." --The Art Newspaper "Dense with information but highly readable . . . Atwood examines in detail and with painstaking documentation how contemporary grave robbers, antiquities dealers, collectors, museums, and archaeologists are complicit in a system that robs cultures of their histories." --The New Mexican (Santa Fe) "Atwood tackles the looting of ancient archeological sites in a narrative that reads like a combination of Indiana Jones and a spy thriller . . . Although he begins with a look at the looting of ancient sites in Iraq since the fall of Saddam Hussein, most of his discussion centers around the village of Sipán in Peru, where local looters stumbled across the remains of several kings of the Moche culture and their gold artifacts. Atwood traces the sale of these artifacts, the attempts of the Peruvian government to retrieve them, the involvement of the American government, and ultimately the construction of a museum to hold the finds that have been recovered . . . Stealing History is an eye-opening and engrossing look into the dark world of looting and smuggling, and the incredible losses to our knowledge of the Moche culture and other ancient groups . . . It is a fascinating read." --Marcia Amidon Lüsted, Academia "Atwood's book is a compelling must-read. Thoroughly engrossing and meticulously researched and reported, it combines first-rate detective work with bracing scientific discovery. The result is stunning: The author strips away the veil of respectability that has cloaked so much of the antiquities trade for centuries. Atwood leads us where no author has gone before, into the depths of ancient tombs where gold and textiles are stolen to order, into the international smuggling rings, and into the homes and galleries of the collectors and curators who deny all wrongdoing. You will be outraged. Atwood demonstrates that nothing less than the world's cultural heritage is at sake here, not least by showing us what can be done to stop this appalling, macabre trade. Enthralling, enriching, and even enabling, this book is an unforgettable journey across time, continents, and cultures. Read it--you will never look at a museum exhibit comfortably again." --Phillip Wearne, author of Return of the Indian: Conquest and Revival in the Americas and co-author of Tainting Evidence: Inside the Scandals at the FBI Crime Lab "Stealing History is an immensely compelling and disturbing tale of greed, destruction, and woe. With an unflinching eye for detail, Atwood explores the subterranean world of the antiquities trade, from the cadaver-littered pits of professional grave robbers in Sipán to the glittering collections of wealthy buyers in the world's capitals. Graphically charting the seamy traffic that is devouring the world's most important archaeological sites, Stealing History is the first book I've read that really does this subject justice. It's a must read." --Heather Pringle, author of The Mummy Congress: Science, Obsession, and the Everlasting Dead "A disturbing tale of greed and cultural demolition, robust in the telling, scorching in its indictment." --Kirkus Reviews "Atwood's high-velocity, true-crime narrative immediately hooks readers while also informing them about the international antiquities business . . . meticulous . . . a case study of the sordid trade." --Booklist "Atwood's ability to bring a story dramatically to life . . . makes this an important book for anyone interested in archaeology, preservation, or the potentially tangled provenance of works they love." --Publishers Weekly "[A] relevant and important book on plunder in Peru." --International Journal of the Classical Tradition
"Roger Atwood's Stealing History presents a compelling, thorough, and firsthand investigation of the many facets of the international trade in looted archaeological artifacts . . . Atwood's volume is . . . a most welcome addition to the literature . . . [He]. . . does a significant service by adding to our understanding of the operation of the international market in archaeological artifacts and its disastrous consequences for the preservation of archaeological sites . . . Atwood's book make a significant contribution to the scholarship on this subject, but it is accessible to the archaeologist, legal expert, and general public alike. The legal information presented is accurate and provides a useful guide to the underlying issues. This book contributes more than any other publication in more than 30 years to an understanding of the devastation to cultural heritage caused by site looting and to the search for solutions." --Patty Gerstenblith, American Journal of Archaeology "A perfect detective story . . . exposes quite a few skeletons in the cupboards of respected American institutions . . . Yet Atwood not only describes the disease, he tries to find a cure. He proposes a detailed program of international and domestic legislation to stop gravediggers, smugglers, and their rich patrons." --The Washington Post "Riveting . . . takes readers on a thorough investigation from war-ravaged Iraq to northern Peru." --The Chicago Sun-Times "Atwood gained extraordinary access to actors at every level of the illicit trade in antiquities . . . Packed with detail." --The Boston Globe "This vividly written, well-researched book is a great primer for anyone interested in the ongoing struggle by archaeologists, law enforcement officials, and national governments to curb the illegal antiquities trade." --Archaeology Magazine "Every archaeologist's worst nightmare . . . is recorded with horrid fascination by journalist Roger Atwood." --Discover Magazine "Prodigiously researched . . . eloquent . . . Atwood's aim is not merely to entertain, and he uses the case of the Sipan and the Peruvian antiquities trade to explore the global problem of looting and the forces that sustain it." --Hugh Eakin in ARTnews "Atwood sees the antiquities market as a destructive extraction industry, obliterating the record of entire civilizations . . . even the most respected museums are implicated." --Wired "A well-written book about an important issue in the world of art and history." --St. Louis Post-Dispatch "A fascinating book, full of life and color . . . shines a spotlight on the shady world of looting, smuggling and trading in archaeological artifacts around the globe." --National Catholic Reporter "A highly readable expose that reveals in shocking detail the extent of the robbing, the vast sums of money involved and the market conditions that fuel the increasing demand for stolen artifacts." --Tucson Citizen "Compelling . . . The characters of this drama are vividly drawn . . . Atwood's detailed accounts of law enforcement's failing at most levels are disturbing . . . [a] valuable book." --The Art Newspaper "Dense with information but highly readable . . . Atwood examines in detail and with painstaking documentation how contemporary grave robbers, antiquities dealers, collectors, museums, and archaeologists are complicit in a system that robs cultures of their histories." --The New Mexican (Santa Fe) "Atwood tackles the looting of ancient archeological sites in a narrative that reads like a combination of Indiana Jones and a spy thriller . . . Although he begins with a look at the looting of ancient sites in Iraq since the fall of Saddam Hussein, most of his discussion centers around the village of Sipan in Peru, where local looters stumbled across the remains of several kings of the Moche culture and their gold artifacts. Atwood traces the sale of these artifacts, the attempts of the Peruvian government to retrieve them, the involvement of the American government, and ultimately the construction of a museum to hold the finds that have been recovered . . . Stealing History is an eye-opening and engrossing look into the dark world of looting and smuggling, and the incredible losses to our knowledge of the Moche culture and other ancient groups . . . It is a fascinating read." --Marcia Amidon Lusted, Academia "Atwood's book is a compelling must-read. Thoroughly engrossing and meticulously researched and reported, it combines first-rate detective work with bracing scientific discovery. The result is stunning: The author strips away the veil of respectability that has cloaked so much of the antiquities trade for centuries. Atwood leads us where no author has gone before, into the depths of ancient tombs where gold and textiles are stolen to order, into the international smuggling rings, and into the homes and galleries of the collectors and curators who deny all wrongdoing. You will be outraged. Atwood demonstrates that nothing less than the world's cultural heritage is at sake here, not least by showing us what can be done to stop this appalling, macabre trade. Enthralling, enriching, and even enabling, this book is an unforgettable journey across time, continents, and cultures. Read it--you will never look at a museum exhibit comfortably again." --Phillip Wearne, author of Return of the Indian: Conquest and Revival in the Americas and co-author of Tainting Evidence: Inside the Scandals at the FBI Crime Lab "Stealing History is an immensely compelling and disturbing tale of greed, destruction, and woe. With an unflinching eye for detail, Atwood explores the subterranean world of the antiquities trade, from the cadaver-littered pits of professional grave robbers in Sipan to the glittering collections of wealthy buyers in the world's capitals. Graphically charting the seamy traffic that is devouring the world's most important archaeological sites, Stealing History is the first book I've read that really does this subject justice. It's a must read." --Heather Pringle, author of The Mummy Congress: Science, Obsession, and the Everlasting Dead "A disturbing tale of greed and cultural demolition, robust in the telling, scorching in its indictment." --Kirkus Reviews "Atwood's high-velocity, true-crime narrative immediately hooks readers while also informing them about the international antiquities business . . . meticulous . . . a case study of the sordid trade." --Booklist "Atwood's ability to bring a story dramatically to life . . . makes this an important book for anyone interested in archaeology, preservation, or the potentially tangled provenance of works they love." --Publishers Weekly "[A] relevant and important book on plunder in Peru." --International Journal of the Classical Tradition
The rise of appreciation for non-European culture in the Western Hemisphere has pumped up market demand for Latin American, Near Eastern, and African antiquities. Many a private collection is filled with artworks that literally have been ripped from gravesites or unsecured archeological excavations. Atwood, an expert on Peruvian antiquities and a journalist with solid credentials as an observer of Central American affairs, here focuses on the removal of traditional Peruvian cultural assets-not only into private hands but into major museums, New York's Metropolitan Museum of Art not least among the institutional offenders. Unfortunately, for those more concerned with the general issue of cultural expropriation, Atwood's emphasis on Peru (particularly the Moche traditional culture) crowds out the other stories briefly presented by way of contemporary context-e.g., the looting of Iraq's National Museum within days of the end of conventional fighting in 2003-and historic perspective-e.g., the appropriation of the Elgin marbles as empire's prerogative 200 years ago. Commendably, Atwood includes a glossary to help nonexperts, and his proposals for promoting ethical collecting are persuasive. Recommended for public libraries but vital for academic collections in art history, anthropology, and archaeology.-Scott H. Silverman, Bryn Mawr Coll. Lib., PA Copyright 2004 Reed Business Information.
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