1. Introduction 2. Analysis: Anton Webern, Concerto Op. 24, m. 38–40 3. Duration and eternity: Messiaen’s time categories 4. Analysis: Olivier Messiaen, ‘Ile de Feu I’ from Quatre Études de rythme 5. Continuity: Boulez’s smooth time and its mathematical negotiations 6. Analysis: Pierre Boulez, Improvisations sur Mallarmé II—‘Une dentelle s’abolit’ 7. The unity of time: Stockhausen’s engagement with acoustics 8. Analysis: Karlheinz Stockhausen, Zeitmaße 9. Trauma: Goeyvaerts and Adorno on musical stasis 10. Analysis: Karel Goeyvaerts, Sonata for two pianos, movements II–III 11. Spacetime: Xenakis and the end of the discourse on musical time 12. Analysis: Iannis Xenakis, Nomos Alpha
Aaron Hayes is an independent scholar who teaches music in Northern Idaho. He completed his PhD in music at Stony Brook University in New York, 2016.
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