Table of Contents

Contents: Preface, Sam Smiles and Simon Shaw-Miller; Introduction: the perception and study of Palmer’s work in the later 20th and early 21st centuries, William Vaughan; Samuel Palmer's Houndsditch days, William Vaughan; Ancients and moderns: Samuel Palmer and the 'progress of watercolours', 1822-1833, Greg Smith; 'This very unstudent-like student': Palmer and the education of the artist, Martin Postle; 'Dreaming of the marriage of the land and sea': Samuel Palmer and the coast, Christiana Payne; Samuel Palmer: poetry, printmaking and illustration, Paul Goldman; From the valley of vision to the M25: Samuel Palmer and modern culture, Sam Smiles; Palmer and the dark pastoral in English music of the 20th century, Simon Shaw-Miller; Bibliography; Index.

About the Author

Simon Shaw-Miller is Professor of History of Art and Music, Birkbeck College, University of London and Honorary Research Fellow, Royal Academy of Music, London, UK. Sam Smiles is Emeritus Professor of Art History at the University of Plymouth, UK Sam Smiles, Simon Shaw-Miller, William Vaughn, Greg Smith, Martin Postle, Christiana Payne, Paul Goldman.

Reviews

'... the varied and sometimes significant new research presented in Samuel Palmer Revisited makes it an important addition to libraries of British art.' Print Quarterly '... offers significant new insights into Palmer's life and contexts ...' Victorian Studies