Table of Contents

Preface and acknowledgments List of illustrations Abbreviations Introduction Part I. Backgrounds: Musical Embodiments in Christian Late Antiquity: 1. The resonance of the flesh 2. Saint Augustine and the rhythms of embodiment Part II. Liturgies of Desire: 3. Sine Tactu Viri: the musical somatics of Hildegard of Bingen 4. Polyphones and sodomites: music and sexual dissidence from Leoninus to Chaucer's pardoner Part III. Sounds of Suffering: 5. The musical body in pain: passion, percussion, and melody in the thirteenth-century religious practice 6. Musical violence and the pedagogical body: the prioress's tale and the ideologies of 'song' Part IV. Resoundings: 7. Orpheus in parts: music, fragmentation, remembrance Epilogue Notes Bibliography Index.

About the Author

Bruce W. Holsinger is Assistant Professor of English at the University of Colorado.

Reviews

"What a wonderful book! It will change the whole way we look at, read, and listen to the Middle Ages. Holsinger's grasp of the history of Latin and vernacular literature, philosophy, art, and history as it pertains to his topic, is breathtaking. What holds the whole argument together is [the author's superb grasp of] music." - Michael Camille, University of Chicago "The book is interesting, intriguing, and provides a valuable model for new ways of approaching musical repertory." - Notes "Provides a very close reading of a wide range of texts from late Antiquity to the early modern period that deal with the corporeal production and reception of music ...Some of these texts are well known to musicologists or students of literature, but few scholars of any stripe would know all of them or even the majority intimately. Scholars of literature and music, and of culture in general, will therefore find much of interest here as well as an important synthesis of many of the most colorful passages on music from the writings of this period." - Echo: A Music-Centered Journal "Bruce W. Holsinger's Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer is an ambitious and original book. It is also something rarer, a genuine pleasure to read; because of the confident way the book moves between literary criticism, iconography and musicology, it will provide most medievalists with glimpses of something outside their particular field; an obscure or under-read text, an unfamiliar element of musical practice, an unknown aspect of pedagogy in the Middle Ages, a new vision of the medieval body." - Maud Burnett McIrney, Haverford College "The virtues of Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer are many. Holsinger's volume is deeply learned, forcefully argued, generous even in its polemics, and, not least, written with a soaring and searing elouence...it is a brilliant provocation that will change its field forever, and what is more, it will bring music vividly to the attention of medievalists who have neglected it far too long." - The Journal of Religion