Table of Contents

Contents Theodore Zev Weiss Foreword Sara R. Horowitz Introduction I Wartime Sources of Interpretation Gerhard L. Weinberg Another Look at Hitler and the Beginning of the Holocaust Ana Antic Police force under occupation: Serbian State Guard and Volunteers' Corps in the Holocaust Gershon Greenberg Jewish Mystical Thought (Kabbalah) Through the Holocaust Paul B. Jaskot ""Realism""? The Place of Images in Holocaust Studies II Rethinking Testimony Henry Greenspan Collaborative Interpretation of Survivors' Accounts: A Radical Challenge to Conventional Practice Gary Weissman Incapable of Revealing the Event: Elie Wiesel and the Reading of Memoir-Writing III Victimhood, Identity, Practice Cora Granata Political Upheaval and Shifting Identities: Holocaust Survivors in the Soviet Occupied Zone of Germany, 1945-1949 Joanna Beata Michlic The Aftermath and After: Memories of Child Survivors of the Holocaust Valerie Hébert From Nuremberg to Kigali: On the Necessity and Impossibility of Post-Atrocity Justice IV Art Matthew Girson Reflections, Traditions, and Representations From a Painting Studio Notes on Contributors|Contents Theodore Zev Weiss Foreword Sara R. Horowitz Introduction I Wartime Sources of Interpretation Gerhard L. Weinberg Another Look at Hitler and the Beginning of the Holocaust Ana Antic Police force under occupation: Serbian State Guard and Volunteers' Corps in the Holocaust Gershon Greenberg Jewish Mystical Thought (Kabbalah) Through the Holocaust Paul B. Jaskot ""Realism""? The Place of Images in Holocaust Studies II Rethinking Testimony Henry Greenspan Collaborative Interpretation of Survivors' Accounts: A Radical Challenge to Conventional Practice Gary Weissman Incapable of Revealing the Event: Elie Wiesel and the Reading of Memoir-Writing III Victimhood, Identity, Practice Cora Granata Political Upheaval and Shifting Identities: Holocaust Survivors in the Soviet Occupied Zone of Germany, 1945-1949 Joanna Beata Michlic The Aftermath and After: Memories of Child Survivors of the Holocaust Valerie Hébert From Nuremberg to Kigali: On the Necessity and Impossibility of Post-Atrocity Justice IV Art Matthew Girson Reflections, Traditions, and Representations From a Painting Studio Notes on Contributors

About the Author

Sara R. Horowitz is the director of the Israel and Golda Koschitzky Centre for Jewish Studies at York University in Toronto and the author of Voicing the Void: Muteness and Memory in Holocaust Fiction (1997).|Sara R. Horowitz is the director of the Israel and Golda Koschitzky Centre for Jewish Studies at York University in Toronto and the author of Voicing the Void: Muteness and Memory in Holocaust Fiction (1997).