Table of Contents

List of Illustrations
Acknowledgments
Acronyms and Abbreviations

Introduction

Chapter 1. Postwar Poland: Geopolitics and Cinema
Chapter 2. Wanda Jakubowska’s Return to Auschwitz: The Last Stage (1948)
Chapter 3. Commemorating the Warsaw Ghetto Uprising in Border Street (1949)
Chapter 4. Images of the Holocaust during the Polish School Period (1955-1965)
Chapter 5. Years of Organized Forgetting (1965-1980)
Chapter 6. Return of the Repressed: “The Poor Poles Look at the Ghetto” (1981- )
Chapter 7. Andrzej Wajda Responds:Korczak (1990) and Holy Week (1996)
Chapter 8. Documentary Archaeology of the Holocaust and Polish-Jewish Past

Afterword

Filmography
Bibliography
Index

About the Author

Marek Haltof is Professor at Northern Michigan University in Marquette. His recent books include the Historical Dictionary of Polish Cinema (2007), Australian Cinema: The Screen Construction of Australia (in Polish, 2005), The Cinema of Krzysztof Kieślowski: Variations on Destiny and Chance (2004), and Polish National Cinema (2002).

Reviews

Choice Outstanding Academic Title 2012 “In this excellently researched, highly informative survey of Polish films about the Holocaust, Haltof… expands on a chapter in his valuable Polish National Cinema… His measured assessments, conveyed in clear, accessible prose, are rooted in an enviable command of both the relevant production documents and important secondary literature. The select list of relevant films and television programs is very useful. The ample notes and fine bibliography incorporate many Polish sources as well as all the available literature in English.” · Choice “Marek Haltof’s monograph is the most comprehensive, scholarly contribution to have emerged in a long neglected field of study: the Holocaust in Polish film. His ‘survey’ is insightful and substantial, and sheds new light on films little known even to a connoisseur… [He] has intertwined the difficult theme of the complex and varying Communist policy (and politics) with the development of postwar cinema, while the linear narrative constitutes a sophisticated meditation on the difficulties faced by Polish and Polish-Jewish filmmakers in the decades since 1945. This is a significant study that will prove indispensable to historians of post-war Polish film and the Holocaust, separately and together, along with all those concerned with Polish-Jewish relations after 1945.” · Patterns of Prejudice “By discussing many works that have fallen below Western critical radar, Haltof’s analyses offer a very useful mapping of the filmmakers and films that address these topics. He does not shy away from the sometimes difficult historical controversies the films elicit or from offering sensible criticisms of the artistic failings of certain works he discusses. With this volume, our understanding of Poland’s cinematic engagement with the Holocaust has been elevated to a new, higher level, even as certain omissions and blind spots in Haltof’s study shows how much more essential work still needs to be done.” · Cineaste Magazine “Marek Haltof’s study is impressive in its breadth and depth. Polish Film and the Holocaust encompasses a variety of motion pictures — many of which were never released outside Poland — while illuminating individual titles with an informed, nuanced perspective… In the continually charged context of Polish-Jewish relations, Haltof’s book provides an elegant bridge between what he terms competing versions of victimization by history.” · Slavic Review “…displays the same virtues as Marek Haltof’s Polish National Cinema, from the same publisher, to which the new book forms in a sense a companion piece. Here too one has a judicious and well-organized chronological survey… the result of a good deal of compilation, research and effective synthesis. The work is highly economical, packing discussion of a large number of films… into 229 pages of discursive text… Haltof’s book not only informs non-Poles about Poles’ attempts adequately to conceptualize events often considered beyond representation; his practice offers an examples and encouragement to further archival work.” · Studies in Eastern European Cinema “Representations of the Holocaust are among the most well researched topics in contemporary film studies, but Polish cinema still remains of marginal interest to the international academic world… Therefore, Marek Haltof’s achievement is especially appreciated as he highlights different motives of the Holocaust in the works of Polish filmmakers in his complex and important study.” · Pol.Int.Org “Marek Haltof’s monograph is the most comprehensive scholarly contribution to have emerged with respect to a long neglected field of study: the Holocaust in Polish film. Haltof’s ‘survey’ is insightful, substantial, and sheds new light on films little known even to a connoisseur. Most importantly his evocation of films made during the years of ‘official silence’… demands a re-evaluation from all scholars of post-war Jewish life in Poland… This is a significant study that will prove indispensable to historians of post-war Polish film, and the Holocaust, separately and together, along with all those concerned with Polish-Jewish relations after 1945.” · Polin “…the author has identified a significant and little examined subject for study, and displays a deep knowledge of it… Where previously the issue of Polish film and the Holocaust had been addressed in single articles or chapters on the depiction of the Holocaust in particular films, here, for the first time we have a history.” · Jeremy Hicks, University of London