Table of Contents

• List of Illustrations
• Acknowledgments
• 1. Excavating the Film Photonovel
• 2. A Brief History of the Film Photonovel
• 3. Word and Image, Telling and Showing
• 4. Clear Grids, Blurred Lines
• 5. Action? Stop! Pose and Movement
• 6. Globalizing the Film Photonovel?
• Appendix. Publishers and Magazines
• Notes
• References
• Index

About the Author

Jan Baetens is a professor of cultural studies at the University of Leuven. He is also the author or editor of numerous books, including Novelization: From Film to Novel, The Graphic Novel: An Introduction, and The Cambridge History of the Graphic Novel.

Reviews

Baetens' keen eye and deep scholarly understanding of word and image narrative brings out the gems in [the film photonovel genre]...This richly illustrated book, with clear and engaging prose, is both an important contribution to the widening field of adaptation studies and a model of medium-specific analysis that considers a form's unique historical materiality to be in complex relationship with its remediation of past genres.
*Leonardo*

It is to be hoped that this first study of the film photonovel will not remain a one-shot in the field. Baetens’s book has already proven, however, to be a game changer.
*French Review*

This elegantly written, thoroughly documented and richly illustrated volume is a first step in stimulating further research that poses critical questions concerning issues of narratology and narrativity while expanding the range of possible debates in genre, medium, adaptation and transmediation studies. The Film Photonovel is, and will remain for a long time, an indispensable resource for literary and cultural study scholars, especially those involved in exploring the complex processes of remediation and adaptation that underlie the mechanics of popular culture in its manifold expressions, environments and constituencies.
*Visual Studies*

Baetens explores the many ways in which films were adapted, with a focus on page layout, the choice of images and the use of dialogue and narration...We are left with the impression that most adaptations failed to do their source material justice.
*Times Literary Supplement*

Baetens offers a refreshing and valuable contribution to visual culture studies by examining and historicizing, with great sophistication and theoretical depth, this long-forgotten hybrid medium.... Passionate in nature and elegant in style, it is the field expanding conclusions to The Film Photonovel that constantly captivate the reader, conclusions that result from Baetens’ sophisticated cultural, semiological, material and narratological analysis of this prolific genre.
*Journal of Visual Culture*

Baetens fills a critical gap in scholarship regarding the relatively neglected medium of film photonovels...[The Film Photonovel is] a phenomenal resource that would be an excellent read for any scholar interested in adaptation studies, film studies, or comics’ studies. The curiously underresearched film photonovel provides an intriguing intersection between the three aforementioned fields....an extremely thorough and well-argued book. This book is quite enlightening; as the fields of literary and cultural studies shift toward examining genres once discarded as 'lowbrow,' we may well see an increased interest in this once-neglected medium. Baetens does a fantastic job establishing the framework for this academic niche.
*Journal of Popular Culture*