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Acknowledgements
Introduction
Emma Lazarus: A Brief Chronology
A Note on the Texts
From Poems and Translations
LONG ISLAND SOUND
From Admetus and Other Poems
PHANTASIES
MOODS
TRANSLATIONS FROM THE FRENCH OF FRANÇOIS COPPÉE
ARABESQUE
THE CRANES OF IBYCUS
OFF ROUGH POINT
LEDA & THE SWAN
THE SOUTH
SYMPHONIC STUDIES
THE CREATION OF MAN
A LETTER, FROM JUDAH HALLEVI TO HIS FRIEND ISAAC CHOPIN
NIGHT-PIECE
DESTINY
THE TAMING OF THE FALCON
RASCHI IN PRAGUE
ASSURANCE
ECHOES
From Poems and Ballads of Heinrich Heine
CITY VISIONS
PROGRESS AND POVERTY
LAURA’S DEATH
TRIUMPH OF LOVE
Songs of a Semite: The Dance to Death, and Other Poems The Dance to Death; A Historical Tragedy in Five Acts
AN EPISTLE FROM JOSHUA IBNVIVES OF ALLORQUI
THE WORLD’S JUSTICE
THE FEAST OF LIGHTS
LIFE AND ART
THE NEW EZEKIEL
CONSOLATION
THE NEW COLOSSUS
1492
CRITIC AND POET
THE CHOICE
THE SUPREME SACRIFICE
THE BIRTH OF MAN
To R.WE.
BAR KOCHBA
THE VENUS OF THE LOUVRE
GIFTS
ADMONITION
BY THE WATERS OF BABYLON
A MASQUE OF VENICE
Selected Essays
Appendix A: Biography
Appendix B: Selections from the Correspondence
Appendix C: Critical Response · 320
Appendix D: Cultural Contexts
Select Bibliography
Gregory Eiselein is a professor of English at Kansas State University. He is the author of Literature and Humanitarian Reform in the Civil War Era (1996) and the editor of Infelicia and Other Writings, by Adah Isaacs Menken (Broadview Press, 2002).
“Gregory Eiselein has created an important historical-literary context for Emma Lazarus’s writing; this edition will be invaluable in making her work accessible to twenty-first century readers.” — Diane Lichtenstein, Beloit College“Eiselein’s expertly edited and annotated volume is an invaluable contribution to the recovery of lost texts by women writers. With its well-researched notes, historical contextualization, and supplementary materials, this superb edition is certain to become the definitive edition of Lazarus’s works. An impressive achievement!.” — Denise D. Knight, State University of New York, Cortland“This collection provides a rich introduction to this important and under-appreciated American author. It is necessary reading for any scholar of nineteenth-century American poetry, nineteenth-century American woman writers, or the history of Jewish-American writing.” — Marianne Noble, American University
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