Table of Contents

• The Legacies of Jean-Luc Godard, edited by Douglas Morrey, Christina Stojanova, and Nicole Côté
• List of Illustrations
• Foreword Douglas Morrey
• Acknowledgements
• Introduction Nicole Côté
• Part I Godardian Legacy in Film, Music, and Dance
• 1. Jean-Luc Godard, Christophe Honoré, and the Legacy of the New Wave in French Cinema Douglas Morrey
• 2. Jean-Luc Godard: Dans le noir du temps (2002)—The 'Filming' of a Musical Form Jürg Stenzl
• 3. Jean-Luc Godard and Contemporary Dance: The Judson Dance Theater Runs Across Breathless John Carnahan
• Part II Godardian Politics of Representation: Memory/History
• 4. The Representation of Factory Work in the Films of Jean-Luc Godard: Reaching the Impossible Shore Michel Cadé
• 5. Godard, Spielberg, the Muselmann, and the Concentration Camps Junji Hori
• 6. ""The Obligations of Memory"": Godard's Underworld Journeys Russell J.A. Kilbourn
• 7. Jean Luc Godard's Histoire(s) du cinéma Brings the Dead Back to the Screen Céline Scemama
• Part III Godardian Legacy in Philosophy
• 8. Jean-Luc Godard and Ludwig Wittgenstein in New Contexts Christina Stojanova
• 9. Godard, Schizoanalysis, and the Immaculate Conception of the Frame David Sterritt
• 10. The ""Hidden Fire"" of Inwardness: Cavell, Godard, and Modernism Glen W. Norton
• 11. The Romance of the Intellectual in Godard: A Love-Hate Relationship Tyson Stewart
• Part IV Formalist Legacies: Narratives and Exhibitions
• 12. Principles of Parametric Construction in Jean-Luc Godard's Passion Julien Lapointe
• 13. ""A Place of Active Judgement:"" Parametric Narration in the Work of Jean-Luc Godard and Ian Wallace Timothy Long
• 14. Godard's Utopia(s) or the Performance of Failure André Habib
• About the Contributors
• Index

About the Author

Douglas Morrey is an associate professor of French at the University of Warwick. He is the author of Jean-Luc Godard (2005) and the co-author of Jacques Rivette (2009). He is currently researching the legacy of the New Wave in French cinema.

Christina Stojanova is an associate professor in film and media studies at the University of Regina. She is the co-editor, with Bela Szabados, of Wittgenstein at the Movies (2011). She is currently working on her book on new Romanian cinema.

Nicole Côté is an associate professor at Université de Sherbrooke. She is a member of VERSUS, a group researching representations intersecting race/gender/ class in literature, video, and cinema. She has published several articles and book chapters, edited two shortstory anthologies, and co-edited three books, most recently, Expressions culturelles des francophonies (2008).