Prologue: To Sound American
The Hobo in Partch's Early Life and Aesthetic
Interlude 1: Transients and Migrants
The Transient Journey
Bitter Music
A Knight of the Road
Interlude 2: Hoboes
U.S. Highball: Becoming a Musical Hobo
A Newsboy Letter
Trading on a Hobo Image
The Strangest Kind of Hobo
Epilogue: To Be American
Glossary of Instruments and Hobo Slang
Notes
Bibliography
Index
Compelling study . . .of hobo, transient and migrant cultures in
the United States. For the first time in musicological literature,
affirms the cultural and musical significance of Partch's U.S. hobo
music.
*JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC*
Shows us how Partch kept experimenting with varying strategies of
self-definition in order to find some social acceptance for a music
that was radically original. A portrait of America between the
wars, as refracted through an artist determined to transmit the
American experience purely as he found it. . . . Seems unlikely to
be superseded.
*TWENTIETH-CENTURY MUSIC*
An interesting sociological study of the music of Harry Partch. The
chapters dedicated specifically to the history of the hobo are as
illuminating as those dedicated to Partch's music. Include many
fine photographs.
*CHOICE*
Deploys an array of little-known primary sources. . . . Granade's
research is deeply sourced, his analyses are probing, and his book
substantially advances Partch studies in numerous ways. . . .
Presents a rich bounty of information about Partch and his
attitudes toward his patrons and contemporaries. A welcome
supplement to Gilmore's [long-standard] biography, matching its
predecessor's depth and exceeding its accessibility.
*AMERICAN MUSIC*
Contributes an important, largely overlooked perspective to the
modest but growing Partch literature. . . . Accomplishes the
difficult task of balancing biography with microhistory. . . .
[Chapter 5] does tremendous work and, in my opinion, is in itself
worth the price of the book. . . . Set[s] a high standard for
future Partch scholarship.
*MUSIC LIBRARY ASSOC. NOTES*
Granade shows that the grim predicament of the transient population
during the Depression depicted in films, the novels of Steinbeck
and the songs of Woody Guthrie, is also central to Partch. Provides
new material, including details of his friendships and his contacts
with other composers. Well produced and cheap at the price.
*GRAMOPHONE*
Harry Partch, Hobo Composer is almost epic in its panoramic view of
an American subculture as seen through the lens of one artist's
life. It should find a ready audience among composers and scholars
of American music, not to mention the legions of microtonalists who
look to Partch as their primogenitor and patron saint. An important
book.
*Michael Hicks, author of Henry Cowell, Bohemian*
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