Introduction: The Work of Art in the Space of Its Material Dissolution
Chapter 1: Doubly Immortal: The Song of Songs (1933)
Chapter 2: Suspect Modernism: Venus vor Gericht (1941) and Muerte de un ciclista (1955)
Chapter 3: The World Gone Wiggy: The Trouble with Harry (1955)
Chapter 4: Art for the Apocalypse: The Damned (1961)
Chapter 5: Object Choices: An Unmarried Woman (1978) and The Player (1992)
Chapter 6: Subjects, Objects, and Erotic Upheaval at Pemberley: Pride & Prejudice (2005)
SUSAN FELLEMAN is Professor of Art History and Film and Media Studies at the University of South Carolina.
' Felleman (Univ. of South Carolina) adroitly examines
how sculptures and paintings hold up in the film medium as much
more than props and reproductions. An important contribution to
film studies. '
*J. Simon, University of Georgia*
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