Table of Contents

Symmetry and Dissymmetry in the Music of the Lay de Bonne Esperance (L18/13) - Virginia Newes
SPECULUM MORTIS: Form and Signification in Machaut's Motet Hé Mors / Fine Amour / Quare non sum mortuus (M3) - Jacques Boogaart
Observations on Machaut's Hé Mors, com tu es haie / Fine Amour, qui me vint navrer / Quare non sum mortuus (M3) - Alice V. Clark
Flos / Celsa and Machaut's Motets: Emulation - and Error? - Thomas Brown
Texture and Counterpoint in the Four-Voice Mass Settings of Machaut and his Contemporaries - Kevin N Moll
The 'Harmony' of the Machaut Mass - Margaret Bent
Machaut's Mass and Sounding Number -
Singing More About Singing Less: Machaut's Pour ce que tous (B12) - Elizabeth Eva Leach
Music Writing and Poetic Voice in Machaut: Some Remarks on B12 and R14 - Anne Stone
A Portrayal of the Lady who Guards her Honour (B25) - Jehoash Hirshberg
Machaut's B-flat Balade Honte, paour (B25) - Peter M. Lefferts
The Intabulation of De toutes flours (B31) in the Codex Faenza as Analytical Model - Jane E Flynn
Machaut's Balade Ploures dames (B32) in the Light of Real Modality - Christian Berger
Balades 32 and 33 and the 'res dalemangne' - Jennifer Bain
Male and Female Voice in Two Virelais of Guillaume de Machaut - William Mahrt
The Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4)(R4) - Yolanda Plumley
Rose, lis Revisited - Daniel Leech-Wilkinson
Some Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut - Karl Kugle

About the Author

ELIZABETH EVA LEACH is Professor of Music at the University of Oxford and a Fellow of the British Academy. Her work focuses on song in the medieval West in the thirteenth and fourteenth centuries. ELIZABETH EVA LEACH is Professor of Music at the University of Oxford and a Fellow of the British Academy. Her work focuses on song in the medieval West in the thirteenth and fourteenth centuries. KARL KÜGLE is Director of Research in the Faculty of Music, University of Oxford, and a Senior Research Fellow of Wadham College. MARGARET BENT is an Emeritus Fellow of All Souls College, Oxford. PETER M. LEFFERTS is Professor of Music at the University of Nebraska-Lincoln.

Reviews

A key study, which will be of value for some years to come.
*CLASSICAL NET REVIEW*

A closely argued, stimulating examination of Machaut and his music.
*RENAISSANCE QUARTERLY*

A useful collection that gathers current discourses and debates into one convenient volume.
*JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY*

Each essay provides a valuable contribution to Machaut scholarship.. A carefully planned collection of essays that serves as a welcome contribution to the current musicological literature.
*MUSIC RESEARCH FORUM*

Immensely thought-provoking and should be present on the shelves of any institution teaching and researching the music of the late middle ages.
*THE MEDIEVAL REVIEW*

Has much to offer all Machaut scholars.
*SPECULUM*