Table of Contents

1.0 Chapter 1 Introduction: Representing Domestic Violence, Regalvanizing the Revolution.- 1.1 Domestic Violence in Hollywood Film.- 1.2 Post-awareness, Postfeminism, and Genre in Domestic Violence Films Reframing Domestic Violence Films.- 1.3 The Psychology of Domestic Violence Media Studies and Domestic Violence Preview of Chapters.- 2.0 Chapter 2 Gaslight, Gaslighting, and the Gothic Romance Film.- 2.1 Gaslight and the Gothic Romance.- 2.2 Domestic Violence in Gaslight.- 2.3 Portrait of a Batterer: Gaslighting and Verbal Abuse in Gaslight.- 2.4 The Legacy of Gaslight and the Gothic Romance Film.- 3.0 Chapter 3 Sleeping with the Enemy, Victim Empowerment, and the Thrill of Horror.- 3.1 The Gothic Romance and the Spectacle of Abuse in Sleeping.- 3.2 Post-Awareness and Postfeminism in Sleeping.- 3.3 Sleeping and the Thrill of Horror.- 3.4 Victim Empowerment andFemale Violence in Sleeping.- 3.5 Sleeping: In Search of Female Agency.- 4.0 Chapter 4 What’s Love Got to Do with It: Race, Class, and the Performance Musical Biopic.- 4.1 Domestic Violence in What’s Love.- 4.2 Post-Awareness and Postfeminism in What’s Love.- 4.3 Performance, Race, and Class in What’s Love.- 4.4 What’s Love, Ambivalence, and Difference.- 5.0 Chapter 5 Dolores Claiborne, Motherhood, and the Maternal Melodrama.- 5.1 Genre in Dolores Claiborne.- 5.2 Domestic Violence, Class, and Motherhood in Dolores Claiborne.- 5.3 Female Bonding and Female Agency in Dolores Claiborne.- 6.0 Chapter 6 Enough, the Action Heroine, and the Limits of Violence.- 6.1 Abuse and Abusers in Enough.- 6.2 Post-awareness and Postfeminism in Enough.- 6.3 Genre, Ethnicity, and the Body in Enough.- 6.4 Enough, Motherhood and the Action Heroine.- 7.0 Chapter 7 Conclusion: Safe Haven and Ideological Gaslighting.- 7.1 Perpetuating Ideological Gaslighting: Patterns and Absences.- 7.2 Resisting Ideological Gaslighting.

About the Author

Diane L. Shoos is Associate Professor of Visual Studies in the Humanities Department at Michigan Technological University, USA, where she teaches and publishes on film, feminism, and visual media. She was a member of the Board of Directors of the Barbara Kettle Gundlach Shelter for 18 years.