Beginnings
Madness and Balloons
One Man's Balloon Madness
People and Places
Crowds, Criminals and Charlatans
Fashion
Satires
Literature
Monarchs
Gods and Heroes
The Sublime
Aeronationalism
War
Back to Earth: Parachutes and Balloons, 1785 and 1802
Ascending Again: Balloons in Flights of Imagination
Bibliography
Index
Full of lively personalities and striking anecdotes drawn from
Brant's thorough archival research, this book is a fascinating and
comprehensive account.
*LSE REVIEW OF BOOKS*
Brant's references to literary works will delight students of
literature.
*ROMANTIK: JOURNAL FOR THE STUDY OF ROMANTICISMS*
An excellent book that will enrich the work of anyone working on
the period.
*BRITISH SOCIETY FOR LITERATURE & SCIENCE*
Full of lively personalities and striking anecdotes.this book is a
fascinating and comprehensive account.
*ISRAEL BOOK REVIEW*
Provides a rich, literary analysis of ballooning in Britain.
*AEROSPACE*
Brant's investigation goes far beyond the classic balloon
literature....A wealth of sources is deployed with a light
touch.
*TIMES LITERARY SUPPLEMENT*
This is a book rich in detail, and the mania for balloons that
gripped the nation from 1783 to 1786 is securely tethered to the
social, cultural, and political context. But context is not
everything: following Rita Felski, Brant looks for the lines of
affect and affection in understanding how we connect with the texts
and objects of the past. This is not simply a survey of the
phenomenon of the balloon but, as Brant brings to the fore in her
final chapter, a meditation upon what balloons continue to mean for
us in the present.
*Journal of British Studies*
This beguiling book is an absolute gem. Written with a lightness of
touch that belies the weight and even magnitude of what it has to
say, Balloon Madness has all the buoyancy and ludic
unpredictability of the object at its centre. That object, is
nothing more - or less - than the balloon itself, which emerges
here as a comic epic hero of Enlightenment science and technology.
Brant isolates three years in the 1780s when this remarkable
invention, pioneered by the French and flamboyantly commandeered by
an Italian, nonetheless captured the very specifically British
imagination. Yet as she charts the balloon's rise and fall in
Britain, Brant also delivers a high-spirited micro-history of the
Enlightenment itself: the balloon is a device for thinking - and,
more important, imagining - that period's boundless paradoxes and
possibilities.
*Jayne Lewis, Professor of English, University of California,
Irvine and author of Air's Appearance: Literary Atmosphere in
British Fiction, 1660-1794*
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