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Debussy's Letters to Inghelbrecht
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Table of Contents

List of Letters
List of Illustrations
Preface
Acknowledgments
D.E. Inghelbrecht: A Biography
Letters from Debussy to Inghelbrecht
Appendix A: Letter from Inghelbrecht to Debussy
Appendix B: Letters from Inghelbrecht to d'Annunzio
Appendix C: Letters from Chouchou Debussy to Inghelbrecht
Biographies
Bibliography
Discography
Index

About the Author

Historian and journalist Richard F. Miller is a graduate of Harvard College (AB, 1974) and Case Western Reserve University School of Law (JD, 1977.) He has served four stints as an embedded journalist: aboard the USS Kitty Hawk (2003); with the 3rd Battalion, 8th Marine Regiment in Fallujah, Iraq (2005); with the 3rd Heavy Brigade Combat Team, 4th Infantry Division near Baqubah, Iraq (2006), and most recently, with the 101st Airborne at various posts in eastern Afghanistan (2008). Miller is a Fellow at the Massachusetts Historical Society and a Director of New England Quarterly, Inc. He is the author of In Words and Deeds: Battle Speeches in History (2008), and the award-winning Harvard's Civil War: The History of the Twentieth Massachusetts Volunteer Infantry (2007).

Reviews

A wonderful book, one that will be welcomed by everyone interested in French modernist music. The richness of the lives that unfold from the pages of these letters is engrossing, and the translation is superb. Margaret Cobb's meticulous work on Debussy has long been deeply admired by her devotees, and this book adds so much to our understanding of an enigmatic composer and of one of his close collaborators. --
*Carolyn Abbate (Princeton University), author of Voices: Opera and Musical Narrative in the Nineteenth Century .*

The friendship recounted in this book is one that echoes in the legendary Debussy recordings of the 1950s and 1960s conducted by D. E. Inghelbrecht. Among the many endearing glimpses here of two strong artistic personalities is their shared love of Musorgsky and Chabrier, and a telling blend of wit with uncompromising artistic aims. This is a book to put an extra spring into our playing of Debussy. --
*Roy Howat, pianist, author of Debussy in Perspective: A Musical Analysis , and Editorial Board member of the Oeuvres Complètes de Claude Debussy .*

Elegant and easily accessible. . . . By 1914 [the composer-conductor Inghelbrecht] had become the recipient of some of Debussy's wonderful revelations, such as the Jacques-Émile Blanche portrait showing him like 'a cream cheese that has had too many late nights' [p. 47]. . . . Beautifully produced and illustrated, and should be owned by all who love Debussy.
*MUSIC AND LETTERS*

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