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A Distinctive Voice in the Antipodes
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Table of Contents

Indigenous Australia

  • A Different Mode of Exchange: The Mamurrng Ceremony of Western Arnhem Land
  • Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles
  • Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay
  • Alyawarr Women's Rain Songs
  • Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley
  • Turning the Colonial Tide: Working towards a Reconciled Ethnomusicology in Australia
  • Pacific Islands and Beyond

  • Chanting Diplomacy: Music, Conflict, and Social Cohesion in Micronesia
  • Songs for Distance, Dancing to Be Connected: Bonding Memories of the Ogasawara Islands
  • The Politics of the Baining Fire Dance
  • Touristic Encounters: Imag(in)ing Tahiti and Its Performing Arts
  • Heritage and Place: Kate Fagan’s Diamond Wheel and Nancy Kerr’s Twice Reflected Sun
  • Living in Hawai'i: The Pleasures and Rewards of Hawaiian Music for an ‘Outsider’ Ethnomusicologist
  • Archiving and Academia

  • Protecting Our Shadow: Repatriating Ancestral Recordings to the Lihir Islands, Papua New Guinea
  • The History of the ‘Ukulele ‘Is Today’
  • ‘Never Seen It Before’: The Earliest Reports and Resulting Confusion about the Hagen Courting Dance
  • Capturing Music and Dance in an Archive: A Meditation on Imprisonment
  • Some Comments on the Gradual Inclusion of Musics beyond the Western Canon by Selected Universities and Societies
  • Ethnomusicology in Australia and New Zealand: A Trans-Tasman Identity?
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