Acknowledgments
Introduction
Patricia Zimmermann: Imagining a History of the Flaherty
Seminar
Scott MacDonald: The Logistics of Transcribing and Editing Flaherty
Discussions
1. The Flaherty Way
1959 Francis Flaherty—opening remarks at the Seminar
2. A Seminar, 1955-1959
1958 Robert Gardner with John Marshall—on The Hunters (1957)
3. An Organization, 1960-1969
1963 Francis Flaherty—on Nanook of the North (1922) and Moana
(1926)
1967 Fred Wiseman—on Titicut Follies (1967)
1968 Willard Van Dyke—opening remarks at the Seminar
1968 Jim McBride and L. M. Kit Carson—on David Holzman's Diary
(1967)
1969 Michael Snow—on Wavelength (1967)
4. Politics, Cultural and Formal, 1970-1980
1970 Hollis Frampton—on Zorns Lemma (1970)
1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke—on
Hiroshima-Nagasaki, August 1945 (1970)
1977 Barbara Kopple and Hart Perry—on Harlan County USA (1976)
5. Shock of the New, 1981-1989
1981 Ed Pincus—on Diaries (1971-1976) (c. 1980)
1983 Trinh T. Minh-ha—on Reassemblage (1982)
1984 Bruce Conner—on Ten Second Film (1965), Permian Strata (1969),
Mongoloid (1978), and America Is Waiting (1981)
1987 Peter Watkins and others—on The Journey (1987)
1987 Su Friedrich—on Damned If You Don't (1987)
6. Crises, 1990-1999
1990 Marlon Riggs—on Tongues Untied (1989)
1991 William Greaves—on Symbiopsychotaxiplasm: Take One (1972)
1992 Ken Jacobs—on XCXHXEXRXRXIXEXSX (many performances after
1980)
1992 Kazuo Hara—on Extreme Private Eros (1974)
1994 Nick DeoCampo—on Revolutions Happen Like Refrains in a Song
(1987), Memories of Old Manila (1993), and Isaak (1993)
1994 Mani Kaul—on Uski Roti ("A Day's Bread," 1969) and Dhrupad
(1982)
1995 Craig Baldwin—on Sonic Outlaws (1995)
7. The Brand, 2000-2015
2000 Sergey Dvortsevoy—on Paradise (1995); Vicky Funari—on Paulina
(1998)
2008 Bahman Ghobadi—on Life in Fog (1997), A Time for Drunken
Horses (2000), and Half Moon (2006)
2013 Eyal Sivan—on The Specialist (1999)
2015 Mounira Al Soth—on Rawane's Song (2006); Marie-Hélène
Cousineau—on Before Tomorrow (2008, co-made with Madeline Ivalu);
Hassan Khan—on Fuck This Film (1998)
2015 Tariq Teguia—on La Clôture ("The Fence," 2002), Inland (2008),
and Révolution Zanj (2012)
2016 Luke Fowler—On To the Editor of Amateur
Photographer (2014, comade with Mark Fell), and Luis Ospina—On
Aggarabdo pueblo (Vampires of Poverty, 1978, comade with
Carlos Mayolo)
Index
Patricia R. Zimmermann is Professor of Screen Studies at Ithaca College. She is the author of Reel Families: A Social History of Amateur Film (IUP, 1995) and Open Spaces: Openings, Closings, and Thresholds of International Public Media, among many other titles.
Scott MacDonald is Professor of Art History at Hamilton College. He is author of many books including, most recently, Avant-Doc: Intersections of Documentary and Avant-Garde Cinema and Binghamton Babylon: Voices from the Cinema Department (a nonfiction novel).
The co-authors amply demonstrate that there's much to appreciate
about the Flaherty history, 55 years of discovering and celebrating
independent cinema and independent filmmakers from around the
world.
*ArtsFuse*
Thoroughly readable . . . [Readers] will be impressed by the
history and inspired by the possibilities as yet unknown in the
world of independent film, as seen through the lens of The Flaherty
Way.
*Documentary Magazine*
This would seem like mere lore, were it not for the contribution of
The Flaherty, Scott MacDonald and Patricia Zimmermann's new volume
on the history of this singular institution that has indelibly
shaped independent and documentary filmmaking, as well as its
critical reception, both in the United States and
internationally.
*Film Quarterly*
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