Contents: Introduction: involuntary sculpture: process, photography and the ephemeral object, Anna Dezeuze and Julia Kelly; Voluntary and involuntary sculpture, Steven Harris; The found, the made and the functional: surrealism, objects and sculpture, Julia Kelly; Close-up on the object: attending to the films of Man Ray, Samantha Lackey; Kaprow’s vector, Martha Buskirk; Richard Wentworth’s Making Do, Getting By and the elusive everyday, Anna Dezeuze; In formation: on Terry Fox’s Children’s Tapes, Carrie Lambert-Beatty; Documents, dreams and fantasies: passages through the involuntary from photography to sculpture in the work of Mike Kelley, John C. Welchman; Chance/lens (subversive translation), Simon Baker; Involuntary photography, Margaret Iversen; Bibliography; Index.
Anna Dezeuze is Lecturer in Art History at the Ecole Superieure d'Art et de Design Marseille-Mediterranee in Marseilles, France. Julia Kelly is a researcher at the University of Hull, UK. Anna Dezeuze, Julia Kelly, Steven Harris, Samantha Lackey, Martha Buskirk, Carrie Lambert-Beatty, John C. Welchman, Margaret Iversen.
'... this nuanced and thoughtful collection offers an engaging account of surrealism as a rich and important vein of twentieth-century photographic and sculptural practice.' Modernism-Modernity
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