List of Illustrations.
Notes on Contributors.
Editor’s Preface.
1. Gladiator from Screenplay to Screen: Jon Solomon (University of Arizona).
2. Gladiator and the Traditions of Historical Cinema: Martin M. Winkler (George Mason University).
3. Gladiator in Historical Perspective: Allen M. Ward (University of Connecticut-Storrs).
4. The Pedant Goes to Hollywood: The Role of the Academic Consultant: Kathleen M. Coleman (Harvard University).
5. Commodus and the Limits of the Roman Empire: Arthur M. Eckstein (University of Maryland).
6. Gladiators and Blood Sport: David S. Potter (University of Michigan).
7. Gladiator and the Colosseum: Ambiguities of Spectacle: Martin M. Winkler (George Mason University).
8. The Vision of a Fascist Rome in Gladiator: Arthur J. Pomeroy (Victoria University of Wellington).
9. Gladiator and Contemporary American Society: Monica S. Cyrino (University of New Mexico).
10. The Politics of Gladiator: Peter W. Rose (Miami University of Ohio).
11. The Major Ancient Sources:.
Cassius Dio on Commodus.
The Augustan History: Commodus.
Herodian on the Death of Commodus.
Aurelius Victor on Commodus.
Chronology: The Roman Empire at the Time of Commodus.
Further Reading.
Index to Chapters 1-10
Martin M. Winkler is Professor of Classics at George Mason University, Virginia, U.S.A. He is the editor, most recently, of Juvenal in English (2001) and Classical Myth and Culture in the Cinema (2001). He has also published articles on Roman literature, the classical tradition, and on classical and medieval culture and mythology in film.
"Invaluable." Times Literary Supplement
"A most welcome addition to this rapidly expanding discourse. It
succeeds in collecting an insightful and diverse set of reflections
'inspired by' Gladiator (as filmmakers might say) and will
hopefully encourage similar explorations of more recent and
forthcoming films set in antiquity." Bryn Mawr Classical Review
"This book provides a very useful resource that will enhance the
analytical sophistication of students of Scott's film and one that
will deepen their appreciation of the complexity of Roman society
in the reign of Commodus as well as the problem of imperialism then
and today. I have no doubt that it will be a great success and a
distinct credit to its editor and his contributors." Scholia
"Martin Winkler is one of the pioneers in the use of film as
applied to classical antiquity." New England Classical Journal
Winkler has created an unlikely meeting of brains and brawn in this
collection of papers from classicists who contemplate the
popularity of Ridley Scott's film Gladiator." Reference and
Research Book News
"Martin Winkler has brought together classicists who understand and
respect the power of modern film. This volume will set the standard
for the serious study of the reflections and influence of the
classical world on contemporary popular culture." Gregory N.
Daugherty, Randolph-Macon College
"Boasting its own triumphant array of stimulating double takes on
the film Gladiator, this book successfully recaptures the
excitement and immediacy of the turn of the 21st century cinematic
epic." Paula James, The Open University
"A promising model of the multiple approaches that may be taken to
a single cinematic text ... Its demonstration that even highly
commercial products of popular culture can still yield serious
insights and analysis can only benefit the study of classics and
cinema." Journal of Roman Studies
Ask a Question About this Product More... |