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Holler If You Hear Me
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About the Author

Michael Eric Dyson, named by Ebony as one of the hundred most influential black Americans, is the author of sixteen books, including Holler if You Hear Me, Is Bill Cosby Right? and I May Not Get There With You: The True Martin Luther King Jr. He is currently University Professor of Sociology at Georgetown University. He lives in Washington, D.C.

Reviews

"Dyson at his penetrating best."--Washington Post

"Dyson plays the role less of biographer or critic than cultural translator, offering thumbnail explanations of tides of black rage, machismo, self-hate, authenticity, and radical activism."--New York Times

"Dyson writes, trying to canonize Pac for ghetto sainthood. So let he who has ears, hear, and holler."--Vibe

"Mesmerizing...promises to thrill and surprise even his most avid fans."--Essence

"Dyson at his penetrating best."--Washington Post
"Dyson plays the role less of biographer or critic than cultural translator, offering thumbnail explanations of tides of black rage, machismo, self-hate, authenticity, and radical activism."--New York Times
"Dyson writes, trying to canonize Pac for ghetto sainthood. So let he who has ears, hear, and holler."--Vibe
"Mesmerizing...promises to thrill and surprise even his most avid fans."--Essence

A poor, urban, high school dropout and book-devouring autodidact who'd quote Shakespeare in conversation, Shakur would also sing along to Sarah McLachlan. Dyson (I May Not Get There with You: The True Martin Luther King, Jr.), a Baptist minister, reveals the complexity of Shakur and shows why even five years after his death his records, poetry and films continue to sell. "He was not hip-hop's most gifted emcee. Still, Shakur may be the most influential and compelling rapper of them all," writes Dyson. "He was more than the sum of his artistic parts." Complementing Dyson's articulate perspectives on the short life and extraordinary impact of the icon are his emotive interviews with writer Toni Morrison, actress Jada Pinkett Smith (Shakur proposed to her, but was turned down), rapper Mos Def and more than a dozen others. Most striking are the conversations about and with Shakur's beloved mother, a former Black Panther and ex-crack addict. Dyson uses themes in Shakur's raps to examine the larger ills of hip-hop culture such as misogyny and the new hostility between youths and elders without neglecting the rapper's positive acts and intentions. Shakur wanted to "combat the anti-intellectualism of hip-hop," Dyson persuasively writes. (Sept.) Forecast: This book will sell, for Shakur has a huge fan base that has only grown since his death. But more than a music bio, the book will draw the attention of socially conscious readers who are interested in how hip-hop affects society. Copyright 2001 Cahners Business Information.

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