The stunning new psychological thriller from the Sunday Times bestselling author of No Further Questions and The Evidence Against You
Gillian McAllister is the Sunday Times and New York Times bestselling author of nine stand-alone novels. Her books have been selected for the Radio 2 Book Club, Reese's Book Club and the Richard & Judy Book Club. Her previous novel, Wrong Place Wrong Time, was a Waterstones Thriller of the Month and was shortlisted for The British Book Awards Crime & Thriller Book of the Year and the Theakston Old Peculier Crime Novel of the Year. Gillian's books are published in thirty-eight languages.
If Jodi Picoult wrote psychological thrillers, they would look like
this. A compulsive read with a jaw-dropping twist, I read it in a
day
*Rosamund Lupton*
Tense, twisty and perfectly paced, How To Disappear is a compelling
portrait of a family under unbearable pressure - where one false
step invites disaster into all their lives
*T. M. Logan*
Totally addictive: clever, convincing and ingeniously plotted with
twists that repeatedly pulled the rug from under my feet. But more
than that, How to Disappear is peopled with characters so real and
relatable you feel you could reach out and touch them. Any crime
writer can keep you turning the pages - but few can make you care
this much.
*Erin Kelly*
Some thrillers stage a few moments of high anxiety (at best); more
thrillers simply sprinkle jitters here and there, like piano
ditties peppered lightly with minor chords. But How to Disappear is
a relentless drumroll of suspense, a knife-edge novel in which - at
any moment, with any word, in the spaces between words - the
characters can drop into danger as though falling through a
trapdoor. They aren't safe for even an instant . . . and neither is
the reader who cares about them (and who couldn't?). Gillian
McAllister's rattling, deeply satisfying book ranks among the best
psychological-suspense thrillers of recent years, but you'll be
reminded too of Jodi Picoult, Liane Moriarty, Celeste Ng's Little
Fires Everywhere. Bloody hell, this is a good one.
*A. J. Finn*
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