Contents: Introduction; The early years of jazz in Britain: gendered rhetorics of subversion, liberation and war; Ken Colyer and the trad jazz movement: class, authenticity, and the nostalgic imagination; Sounds, images, effects: The Joe Harriott Quintet and free jazz of the 1960s; 'Dreams of our mother's ebony eyes': 1980s black Britain and the Jazz Warriors' generation; Conclusion; References; Index.

About the Author

Hilary Moore is an independent scholar who has published in jazz, ethnomusicology and music education.

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About the Author