Andy Miller has worked as a bookseller and a publisher (for Fourth Estate) in London. He is an occasional contributor to Mojo, and has recently published his first book through Penguin in the UK.
This detailed tome leads the reader through the often fraught
construction of what is now regarded as Davies's [sic] masterpiece-
and, like the best books of its ilk, it makes the reader want to
either re-investigate the album or hear it for the first time.
*Blender Magazine, October 2003*
Miller takes an in-depth look at the Kinks' nostalgic and
autobiographical album, released in 1968 , at the worst possible
time, when rock was all about rebellion and psychedelia...This is
the sort of focus that my make you want to buy a copy, or dig out
your old one.
*Rob Mackie, The Guardian*
A compelling portrait...Miller's insight into the album's thematic
structure is as eloquent as any writing on The Kinks
*Philadelphia City Paper*
...this is a charming and valuable addition to the series.
*Joe Pettit, Ugly Things, Issue 25*
So thorough is Miller's survey of the period.
*Pop Culture Press*
Kinks commander Ray Davies once described the Beatles as "the boy
next door only better." Miller notices this is a deeply
autobiographical comment, and he's unquestionably in the tank for
both that boy and that boy's nostalgia-driven magnum opus. But
Miller tempers his enthusiasm with research, with and
detailed-if-straightforward analysis of the songs, the time, the
players and the fascinating history of the very English temperament
that produced this most English of magnum opuses.
*Austin American-Statesman, Oct. 17, 2004*
One of the hallmarks of the 33 1/3 series is the track-by-track
runthrough, during which the author proceeds, often in painstaking
detail, to describe each song on a given album in order.
Occasionally this can be redundant or tedious, but one of the first
great examples is in Andy Miller’s book on the Kinks’ finest
hour.
*Pitchfork*
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